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File contains correspondence between McLennan and church directors regarding the exhibit.

File contains digital photographs and composite images created in Photoshop. Most of these images were used in the exhibit <i>Speaking to Memory</i>, and were also used in presentations by McLennan on the exhibit. This file contains one sub-folder.

This sub-folder contains photographs taken of the installation of the<Speaking to Memory<\i> exhibit and the take down of the <i>Safar Voyage</i> exhibit.

File contains digital photographs of installing the large canvas images in the <i>Speaking to Memory</i> exhibit.

Fonds consists of records created by McLennan during his employment at the Museum. Fonds has been arranged into six series. The first series is titled Exhibits and relates to McLennan’s role first as a designer and photographer of exhibits and later as a curator of exhibits. Each exhibit is arranged into a separate subseries. Some of the photographs were taken by staff who worked for McLennan.

The second series is titled Projects and events. This series relates to McLennan’s role as photographer. He has recorded many events and documented projects through the use of photography. On some projects he also took on the role of designer.

The third series is titled Multiversity galleries and contains materials related to the creation of the Multiversity gallery space which occurred as part of the Partnership of Peoples Renewal project from 2007-2010.

The fourth series is titled general research and contains materials related to McLennan’s research in art on the northwest coast of British Columbia. The research series has been sub-divided into four sub-series: museums, archives and subject files, artist files, culture photographs and books.

The fifth series is titled Bill Reid and contains materials created and collected about Bill Reid and his work by McLennan.

The sixth series is titled Administration, public relations and correspondence and relates to McLennan’s administrative role at MOA, containing administrative records.

Additional digital records from this fonds are still being processed and will be added to this finding aid at a later date.

Series consists of records created and collected by McLennan in the course of research on Northwest coast art. McLennan kept files related to research conducted in other museums and archives, on artists he came into contact with, and a series of photographs depicting art styles and objects complied and organized by culture, and ideas and research for books. Each of these comprises its own sub-series.

Contains a spiral bound book of images and text prepared by MOA staff for McLennan when he retired from the museum, with pictures of him, his work, and staff throughout the years.

File contains a copy of the archival holding of the Anglican Church archives related to St. Michael's Residential School.

File contains typed copies of apology letters held in other archival institutions. Apology letters include those by the Anglican Church, Catholic Church, Federal Government, Presbyterian Church, Royal Canadian Mounted Police, and the United Church.

Subseries contains images of the unveiling of the club given to Captain Cook as well as research materials collected by McLennan on Captain Cook.

Series consists of records created by William McLennan in the course of planning and photographing various projects and events at MOA.

Projects are considered as having a longer duration, often occuring outside of the physical museum building, and in cooperation with other bodies. McLennan often liaised with First Nation communities and artists during the planning stages of projects.

Events are considered as having occurred over a short period of time. Events were attended by McLennan as a MOA representative and photograph.

On both projects and events McLennan took on larger roles in addition to photographer such as community liason, presenting on topics, and designer. Each project and event comprises their own sub-series.

Series consists of records relating to McLennan’s administrative role as a curator at the MOA, including public relations (interviews given, lectures given, publications about the museum and his work), annual reports and correspondence (inquiries from interested parties regarding certain artifacts, events, people and donations at the museum). The majority of this series presents itself in textual records, however there are also digital records included as well. There are a large number of digital images in the file ‘Photographs’ which depict various stages in the museum development of MOA, significant artists, MOA grounds and landscape, special events and visitors and milestone occasions.

File contains an Adobe In Design file of labels for the Friedman case.

This file contains images of the club owned by Captain Cook housed in the collection at the Museum of Anthropology, UBC. The images include views from all angles and a composite image showing a 360 degree view of the club.