Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).
Image of an old gravehouse in Gitsegukla, with the totem pole known as Pole-in-the-Sand visible in the background. This image, or one similar to it, is printed on page 123 of Carter's book Abundant Rivers, with the caption: "This old grave house has fallen to decay leaving some of this long departed soul's worldly goods exposed once more to the light of day. It was customary among most of the Indian tribes to bury the prized possessions of an individual along with his remains. This ancient rite is no longer practised."
File consists of images of totem poles and other carvings, some of which were taken at the University of British Columbia. The others are unidentified.
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows Davidson speaking into a microphone, wearing what appears to be ceremonial clothing and a headdress. A crowd is gathered around him.
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is of a bald eagle sitting at the top of a tree.
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole lying on the ground, with a crowd gathered around it.
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground and the hole in the ground into which it will be propped. Part of the crowd is also visible.