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MOA Magazine, Issue 07, Spring 2019

This issue contains articles on current and upcoming exhibitions, the new Collections Access Grant program, the release of the book People Among the People: The Public Art of Susan Point, Shadows, Strings and Other Things: The Enchanting Theatre of Puppets and related programs, Javanese puppeteer Sutrisno Hartana, the Ninini (Earthquake) dance at the Frank Nelson Memorial Potlatch, MOA's conservators Miriam Clavir and Heidi Swierenga, highlights from the MOA archives, the book Divine Threads: The Visual and Material Culture of Cantonese Opera by April Liu, and how to leave a gift to MOA in your will.

Mungo Martin working on a totem pole

Photograph of Mungo Martin working on a totem pole. This pole was originally carved by Charlie James and was later restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Mungo Martin and Charles Docherty working on a totem pole

Photograph of Mungo Martin working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant. This pole was originally carved by Charlie James and was later restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Mungo Martin adzing a totem pole

Mungo Martin restoring a totem pole originally carved by Charlie James. The pole later stood in Totem Park at UBC before being moved to the Great Hall of the Museum of Anthropology.

Mungo Martin and Charles Docherty working on a totem pole

Mungo Martin and Charles Docherty working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant. The pole in the background was originally carved by Charlie James and was later restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Mungo Martin working on a totem pole

Mungo Martin working on the restoration of a totem pole. This pole was originally carved by Charlie James. It was later restored by Mungo Martin and stood in Totem Park at UBC until it was moved to the Great Hall at the Museum of Anthropology.

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