Mostrando 625 resultados

Photograph of a woman identified as Mrs. Sewid and four younger women identified as her daughters. All five of them are in ceremonial dress. They are standing outside, with a group of spectators behind them. It is not clear what type of event they are at. A stamp on the verso of the print indicates that it was printed in 1958.

Item is a photograph of a procession of people walking down a road in Alert Bay in ceremonial dress (button blankets, headdresses) and regular clothes. Mungo Martin and Daisy Neel lead the group in the front row.

Item is a photograph of men gathered together for an event celebrating British Columbia's centennial in Alert Bay in 1958. They are sitting down in front of a painted wall and some are wearing ceremonial dress, such as button blankets and woven cedar headbands. A drum and a painted dance screen [thunderbird?] on fabric are also visible. Men in the photograph include: Charles Nowell, Billy Assu, and George Scow.

Image of a totem pole in Alert Bay, BC, at the grave of the Kwakiutl Chief Mungo Martin. The pole was carved to honor the Chief. This image shows the pole right after it has been raised, with the ropes used to raise it still attached. Additional information and images of this pole are featured on pages 28-33 of Carter's book "From History's Locker."

Image depicts a frontal view of a totem pole carved by Doug Cranmer. The base features figures that resemble humans. A mosquito with a long proboscis and six legs perches on the human's head. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Image depicts a side view of the top of a totem pole carved by Doug Cranmer. This view shows details of the mosquito's head, eye, and mouth. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Image depicts a frontal view of a totem pole carved by Doug Cranmer. The mosquito perched on three human figures stands in front of a carving shed. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Image depicts Douglas Cranmer in the early stages of carving the St. Catherines totem pole. The pole is outside.. He is using an adze to make early cuts on a pole.

Image depicts a frontal view of the base of a small-scale totem pole in front of a door. A seated human figure is visible. See items a034476 - a034482 for other views of this pole.

Image depicts a side view of the top of a carving featuring an eagle. Photo appears to have been taken inside and another piece of art appears to the left side of the photo. Views of this carving can be seen in items a034483 - a034486.

Image depicts a side view of the top of a partially painted carving featuring what may be a Thunderbird. Views of this carving can be seen in items a034483 - a034486.

Image depicts an offside view of a totem pole which appears to have a Thunderbird on the top. Views of this pole can be seen in items a034487 - a034492.

Image depicts a frontal view of a totem pole which appears to have a Thunderbird on the top. Several other creatures, one possibly human, can be seen from this perspective. Views of this pole can be seen in items a034487 - a034492.

Image depicts a frontal view of the base of a totem pole. From this perspective one possibly human figure can be seen. The figure at the base of the pole appears to have only a head and be wearing a mask.. Views of this pole can be seen in items a034487 - a034492.

Image depicts a front and side view of a Thunderbird totem pole with Douglas Cranmer seated next to the pole. Views of this pole can be seen in items a034487 - a034492.

Image depicts a side view of a Thunderbird totem pole. The Thunderbird's head and neck are clearly visible. Underneath a human figure and a head appear. Views of this pole can be seen in items a034487 - a034492.

Image depicts a man, possibly Douglas Cranmer, carving on a partially finished totem pole as a man and woman look on. Vintage cars are visible in the background.

Image depicts Douglas Cranmer in the process of removing bark from a tree. Vintage cars are visible behind him.

Image depicts Douglas Cranmer in the process of carving a pole. The early cuts are made with a chain saw.

Image depicts Doug Cranmer using a jack to raise the end of a large tree trunk.