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Image depicts a carving of an animal that resembles a mountain lion. This carving is a part of the Poles of Arhteeh in Kitwanga.

Image depicts a totem pole located in a valley with mountains in the distance. The pole is probably from the Kitwanga or Kispiox villages in the Skeena Valley. This pole features a fish on top and a series of ravens interspersed with human-like characters below that. One section of the pole is not carved.

Image depicts several totem poles erected in an open field in front of several wooden structures, possibly houses. Read's notes indicate that these poles are the Wawsemlarhae poles at Kispiox Village in the Skeena Valley.

Image depicts a child leaning against the base of a totem pole. The pole shows a human figure in profile. See also item a034828 for another view of this pole.

According to George Read, Stanley Read's son, the pole in the image is the Half Way Out pole of Delgamuukw's house; the boy is Harry Brown, whose Gitxsan name is Xsuwii 'Guus.

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

1. Quileute
2. Chinook Jargon
3. Kwak’wala (U’Mista)
4. Gitxsan
5. Nuu-chah-nulth
6. Salishan
7. Shuswap
8. Haisla
9. Tait
10. Northwest Coast artists
11. Northwest Coast groups
12. UBC totems/events
13. Publications

Image depicts the exhibition The Pacific Passage installed at the Vancouver International Airport. The focal point of the photograph is Hetux, a large Thunderbird sculpture created by artist Connie Watts (Nuu-chah-nulth, Gitxsan and Kwakwaka'wakw).

Portrait of David Gunanoot, Chief of Gitxen. A similar portrait of him is printed on page 107 of Carter's book Abundant Rivers.

Image depicts a totem pole lying on the ground. Figures are difficult to identify, but the most prominent one is probably human. Read`s diary indicates that this photo was probably taken at either the Kitwanga or Kispiox village site in Gitxsan territory of the Skeena Valley..

Image depicts a row of totem poles standing along the side of a dirt road. Based on Read`s diary and the figures on these poles, this photo may have been taken in Kitwanga, and the pole on the far left may be the Dog Salmon Pole.

Image depicts the bottom portion of a totem pole. It features a raven and a human.

Image depicts a totem pole that features a human figure at the base and three other human figures, aligned horizontally across the pole. Other wooden structures can be seen in the background. Read's note indicates that a possible explanation for this pole can be found in Barbeau, p. 149, which suggests that the three humans carved in this pole may be Hrpugweelan, a crest of Ksemgitgeegyaenih, a Larhsail chief.

Image depicts a dirt road with several totem poles situated along the roadside. The poles are viewed from a distance, making it hard to identify any crests on the poles. Several wooden structures can be seen near the poles and mountains are visible in the distance.

Image depicts several totem poles standing in a row. Read's pencil notes suggest these are the Poles of Arhteeh . See also item a034845.

Image depicts a close up of a carving of a creature that resembles a grizzly bear with fins on its back. This carving is similar to the one depicted in item a034843.

Image depicts a carving (possibly concrete) of a fish-like creature with a dorsal fin, mounted on stone. The inscription reads CHIEF WIEAHAKYSOU (?) Died Mar 1912 Aged 70 years.

Image depicts a short totem with a bear at the base, an uncarved portion, and a smaller animal at the top. The bear is noteworthy because of its realistic style.

Image depicts a part of a fallen totem pole, surrounded by foliage. The animal may be a wolf; it depicts teeth in an open mouth.