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Archival description
Karen Duffek fonds Museum exhibitions
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Bill Reid: “Gathering Strength”

The records in this sub-series relate to the semi-permenant exhibition Gathering Strength, which took place after Bill Reid passed away in 1998. Karen Duffek curated the Haida metalwork component of the exhibition, and aided in the development of the accompanying electronic component as well. The exhibition was on display from 2000 through 2004. Records relate to exhibition development and planning, educational and display materials, and correspondence.

Willy White: “My Ancestors Are Still Dancing”

The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.

Mike Nicholl [Yahgulanaas]: “Meddling in the Museum”

The records in this sub-series relate to the artist Michael Nicoll Yahgulanaas and the site-specific exhibition Meddling in the Museum which took place at MOA in 2007. Records include research notes, articles, correspondences, grant funding applications, graphic images and photographs, event transcripts, contracts and exhibition development materials.

Edgar Heap of Birds: “Wheel: Overlays”

The records in this sub-series relate to the artist Edgar Heap of Birds and the 2007 MOA exhibition Wheel: Overlays. An Installation by Hock E Aye VI, Edgar Heap of Birds. Sub-series consists of 4 files which relate to research and planning for the exhibition in addition to the Native Youth Project done in conjunction with the exhibition. The files consist of photographs, promotional materials, final reports, grant applications, exhibit development and educational materials, final reporting, research notes, correspondences, as well as articles about the exhibit and the artist.

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