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File contains a combination of images of Kwakwaka'wakw artifacts housed in various museums and images of historical Kwakwaka'wakw villages on Vancouver Island and along the Northwest Coast of British Columbia. Artifacts include totem poles, bentwood boxes, carvings, masks, and Kwakwaka'wakw artwork such as paintings and drawings. There are historical photographs of the following villages: Gwat'sinuxw (Quatsino), Kwikwasutinuxw (Gilford Island), A'wa'etlala Village (Knight's Inlet), Mamalikala (Village Island), Wiwekalu Village of T'la'mataxw (Campbell River), Kwixa Village (Salmon River), Dunaxda'xw Village (New Vancouver), and Gwa'sala Village (Smith Inlet). The textual records include information about some of the photographs, identifying items such as the people, the villages, and/or the artifacts depicted in the photographs.

File contains images of Jim Hart carving or attending events such as pole raising.

File contains the print titled "Our Grandmother" by Jim Hart and a computer printed image showing First Nations members in regalia.

File contains images of a pole raising called the Skilay Memorial pole raising in Haida Gwaii.

File consists of one color negative of three totem poles and a long house in what appears to be a museum gallery.

File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

File contains a negative and contact sheets depicting Davidson working on and carving his totem poles for the Pepsi-Co commission project.

File contains negatives of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

File contains images showing artists beginning to work on Bill Reid's pole..

File contains one image of a totem pole carved by Henry Green and an accompanying photocopy of a newspaper article about Henry Green and the pole he carved for Charles Hays Secondary School in Prince Rupert.

File mainly contains historical images of the Heiltsuk, Nuxalk, and Wuikinuxv First Nations. These images depict village life, architecture and house posts, and regalia. The file contains images of a group of Nuxalk who traveled to Berlin to perform there. Images that are not historical depict a ceremony happening in the Great Hall at UBC MOA, unidentified artists working on a set of drawings, and what appears to be the Acwsalcta High School in Bella Coola. Non textual records include photocopies of photographs, and photocopies of museum catalogue cards.

File contains images showing the celebration continued in the Haida House at the Museum of Anthropology with song, dance, and speeches.

File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.

File consists of photographic prints depicting Haida cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50000 a, b, c, & d; A50001; A50002 a, b, & c; A50012; A50013; A50014 a & b; A50015 a & b; A50017; A50018; A50021; and A50045 in MOA's Great Hall.

Sub-series consists of photographic prints and photocopies collected from other institutions for use on object labels in MOA's Great Hall. Items were originally housed in two large binders with dividers.

Sub subseries consists of photocopies of photographs and sketches of totem poles and other carvings from the MOA Great Hall which were used to create object labels. Many of the photographs show the carvings in their place of origin or on display at MOA.