Sub-series consists of records relating to the exhibit Anspayaxw: An installation for voice, image, and sound. This exhibit was at the Satellite Gallery in 2013. The Satellite Gallery was an experimental exhibition space shared between Charles H. Scott Gallery (ECUAD), the Morris and Helen Belkin Art Gallery (UBC), the Museum of Anthropology (UBC), and the Presentation House Gallery. The gallery is closed as of June 2015.
Subseries consists of records related to the design of labels for the Anspaywaxw exhibit, on display at the Museum of Anthropology September 12 - October 26, 2013. This exhibit was curated by Karen Duffek (MOA curator).
Subseries consists of records used in the creation of the student exhibit “Spotlight on India.” In the summer of 1996, students in Anthropology 302 mounted an exhibition at Museum of Anthropology highlighting South Asian religion and culture. Skooker Broome assisted students with the design aspects of the exhibit. Records include articles.
Sub-series consists of textual records including articles, student papers, and photographs accumulated in order to create a source book for Anthropology 432 taught by Dr. Halpin. It also consists of course outlines and bibliographies for Anthropology 431, which was also taught by Dr. Halpin.
Subseries contains of one file consisting of images of two argillite sculptures at the MOA, UBC. These images were taken by McLennan while working with a student on a project related to masking the scale of the object. McLennan called it “Unravelling Scalability.”
One copy of booklet that contains photographs taken by Bill McLennan. The book was donated by it's author, Laurence A.G. Moss. Moss was a visiting curatorial fellow at MOA (under Marjorie Halpin) in the mid-1980s. During that time, Bill assisted Moss in taking photographs that ended up in this book and associated exhibition.
Teh full title of the book is Art of Lesser Sunda Islands: A Cultural Resource at Risk. The book contains 13 photographs by McLennan
Subseries contains largely photographs of artworks of Northwest Coast First Nations artists located at various cultural heritage institutions as well as in private collections. The majority of the information within the files was collected by McLennan for research purposes, and includes textual documentation about the lives of the artists, correspondence with the artists, information about exhibits based on the artists’ work and newspaper clippings and other stories about the personal life of the artists.
