Affichage de 205 résultats

File contains photographs and transparencies of various Northwest Coast artifacts housed at the then called Canadian Museum of Civilization [now the Canadian Museum of History]. Other images are of Charles Edenshaw. The textual records contained in this file include catalogue records for many of the artifacts included in this file.

File contains copies of correspondence between McLennan and the Royal Ontario Museum (ROM) regarding MOA borrowing some pieces from their collection to showcase in the <i>Signed Without Signature</i> exhibit. The majority of the photographs contain in this file are images of a cedar hat held at the ROM. Other photographs depict gold and silver bracelets.

File mainly contains photocopies of images of Northwest Coast pieces featured in the exhibit, and photocopies of historical images of Edenshaw and of First Nations villages. Other textual records include copies of loan agreements between MOA and the Royal BC Museum. The photographs are reproductions of historical photographs featuring Charles Edenshaw.

Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.

File contains images of artifacts made of cedar, including baskets, hats, fishing tools, bentwood boxes and totem poles.

Subseries contains images of carvings and a contact sheet showing an event in the great hall at the Museum of Anthropology.

File contains correspondence between Bill McLennan and staff at the Vancouver Museum. In addition are letters sent to some of the artists involved with the exhibit.

File contains a copy of the <i>Through my Eye</i> exhibit record, as well as copies of the exhibit's excerpts from the Vancouver Museum. There is also a postcard from the Vancouver Museum of a Tsimshian frontlet.

File contains copies of newspaper clippings and full editions of magazines that feature and/or reviews the <i>Through My Eyes</i> exhibit at MOA.

File mainly contains images of the artists involved in the <i>Through My Eyes</i>, such as Jim Hart and Robert Davidson and some of the artifacts featured in the exhibit. The textual records contain a copy of the file's content.

File contains images of the artists featured in the Through My Eyes exhibit such as Jim Hart, Bob Dempsey, Bill Reid, Richard Sumner, William White, Isabell Rovidk, Doreen Jensen, Richard Hunt, and Terry Starr. There are also images of some of their pieces, also featured in this exhibit.

Subseries consists of records relating to the <i>Through My Eyes</i> exhibit held at the Museum of Vancouver. The exhibit is a collaborative effort curated by 27 First Nations people of different Northwest Coast communities allowing them to “present their personal perspective” of their culture and its objects. McLennan was involved through managing the development, production and implementation of this collaborative effort. Records include photographs and slides of potential exhibit artifacts, media reviews, student paper reviews, exhibit project statements, transcripts of interviews done with First Nations artists, correspondence, consent forms for interviews and audio cassettes of the taped interviews which detail McLennan discussing various pieces of First Nations art with several artists.

File contains images of the <i>Roy Vickers, "Beginnings"</i> exhibit.

Subseries contains images showing the exhibit.

Subseries contains images of objects in the exhibit <i>Sensibilities: Unsuspected Multicultural Harmonies</i>. Images show the exhibit displays and objects in the exhibit.

Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.

Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.

Subseries contains images of an artist.

File contains images of masks in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. The masks are described on the photographs to be "Chinese opera masks from Guizhou Province.

Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.