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File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

File contains images of totem poles and other Northwest Coast artifacts, such as weavings and carvings, housed at the Peabody Museum in Boston.

File contains images of Stan Green carving outside his workshop as well as close up images of his masks. In addition is coresspondence between Stan Green and Darrin Morrison inviting Green to speak at an event.

File consists of images of Walter Harris standing in front of a totem pole.

File contains photographs of a pole raising ceremony. Included are images of drummers, and community members in regalia, and transporting and raising the totem pole.

Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.

Subseries contain the images used in the Museum Notes booklet titled Totem Poles: An illustrated Guide by Marjorie M. Halpin, as well as a copy of the booklet.

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Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.

The majority of this file contains historical images of the Tlingit and Tahltan First Nations and their respective villages. The other images are of Tlingit or Tahltan artifacts housed in various museums in Canada and the United States. The historic images are of Tlingit or Tahltan villages which include images of Northwest Coast architecture, houses posts and totem poles, canoes, and other household items such as bowls, weavings, and bentwood boxes. There are also some images of the Tlingit people in regalia. The textual records contained in this file is a paper titled "The History of the Babine Carriers," written by Wilfred Adam for the class Education 479, Cross Cultural Education.

File contains images of various First Nations Cultural groups from the Pacific Northwest. The images include negatives and slides of Northwest Coast villages, totem poles, longhouses, and First Nations peoples dressed in regalia.

Sub-series consists of photographic prints and photocopies collected from other institutions for use on object labels in MOA's Great Hall. Items were originally housed in two large binders with dividers.

File consists of photographic prints depicting Oweekeno cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50006 in MOA's Great Hall.

File contains two images of the Respect to Bill Reid pole that were taken for publicity purposes.

File contains the digital media used to create the virtual museum website for the Respect to Bill Reid Pole in both English and French. These include html pages, audio and video files, images, the electronic invitation to the event, logos and text files, css style sheets, and javascript code.

File contains the print titled "Our Grandmother" by Jim Hart and a computer printed image showing First Nations members in regalia.

This file contains images of totem poles collected for research. Some images are from the collections of other institutions.

File contains archival images and documents photocopied for research as well as correspondence and meeting minutes.

File contains images of various different pieces of Northwest Coast artwork located at YVR. These artwork pieces include: the cedar crabs from the <i>Pacific Passage</i> installation; <i>Hetux, Thunderbird, the Keeper of the Sky</i> installation; the whaling canoe from the <i>Rainbow off the Beach</i> installation; the <i>Origins of Light</i> installation; the <i>The Supernatural Worlds: The Land, The Sea, The Sky</i> installation; and the <i> Musqueam Welcoming Area</i> installation, which includes several Salish weavings.

File contains a negative and contact sheets depicting Davidson working on and carving his totem poles for the Pepsi-Co commission project.