[Bill Reid carving Spirit of Haida Gwaii model]
- 1-5-2 (27.2)-a035112
- Stuk
- 1986
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
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[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
Robes of power: Totem poles on cloth
Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.
Jacquie Gijssen’s negatives of R. Davidson’s Pepsi-Co Commission
File contains negatives of Davidson working on and carving his totem poles for the Pepsi-Co commission project.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid working in the shop]
Image of Bill Reid working in a shop. He appears to be using a machine at a work bench. Tools are visible in the background.
File consists of records about Dempsey Bob such as a student paper and exhibit proposal. In addition are images of Dempsey Bob and his artworks.
File contains images of newly carved totem poles by Stan Bevan along with accompanying correspondence regarding the poles and biography for both Stan Bevan and Ken McNeil.
File contains images of various different pieces of Northwest Coast artwork located at YVR. These artwork pieces include: the cedar crabs from the <i>Pacific Passage</i> installation; <i>Hetux, Thunderbird, the Keeper of the Sky</i> installation; the whaling canoe from the <i>Rainbow off the Beach</i> installation; the <i>Origins of Light</i> installation; the <i>The Supernatural Worlds: The Land, The Sea, The Sky</i> installation; and the <i> Musqueam Welcoming Area</i> installation, which includes several Salish weavings.
Susan Point carving Flight (Spindle Whorl)
Image of Susan Point (Musqueam) carving Flight (Spindle Whorl) in a workshop. The work appears to be near completion.
Image of Susan Point carving. She is likely carving the work Flight (Spindle Whorl).
Vancouver International Airport Musqueam Welcome Area
Image of the Vancouver International Airport Musqueam Welcome Area. The image may have been taken at the opening celebrations.
Initial carving stages at Haida Gwaii
File contains images showing artists beginning to work on Bill Reid's pole..
File contains the print titled "Our Grandmother" by Jim Hart and a computer printed image showing First Nations members in regalia.
This file contains images of totem poles collected for research. Some images are from the collections of other institutions.
Carving and installation at MOA
File contains images showing the final touches being done on the pole as well as ceremony and raising the pole at the Museum of Anthropology.