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archivistische beschrijving
Museum exhibitions
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A Connoisseur’s Collection: Chinese Ceramics from the Victor Shaw Donation [Early Chinese Ceramics from the Victor Shaw Donation]

File contains 7 comment books from the exhibit A Connoisseur’s Collection: Chinese Ceramics from the Victor Shaw Donation [Early Chinese Ceramics from the Victor Shaw Donation], May 30, 2001 – March 10, 2002

Dates of comment books:
June 14 – July 11, 2001
July 11 – July 27, 2001
July 27 – Aug. 15, 2001
Aug. 15 – Sep. 7, 2001
Sep. 7 – Nov. 26, 2001
Nov. 26, 2001 – Feb. 1, 2002
Feb. 1 – Mar. 11, 2002

Captain Cook Exhibit

Sub-series consists of textual records related to the exhibit on the voyages of Captain Cook to Nootka Sound. Included is the paper “Encounter 1778: Drawings and Watercolours of Nootka Sound by John Webber” by Natalie MacFarlane, exhibit scripts, video scripts, correspondence, and loan forms for the Webber drawings.

NMM: Children of the Raven

Sub-series consists of textual records for the exhibit titled “NMM: Children of the Raven” based on the beliefs and culture of British Columbia First Nations, with an emphasis on ceremonial objects and their iconographic meanings. Records include memos; exhibit floor plans, text blocks for exhibit, and colour drawings of items in the exhibit.

Our Chiefs and Elders

Sub-series consists of records from the photographic exhibition by David Neel, Kwagiutl, on First Nations elders in British Columbia. Records include newspaper reviews, correspondence, exhibit proposal and planning, and transcripts from interviews with chiefs and village elders. Also included are slides of portraits of chiefs and elders.

Ron Hamilton exhibit

Sub-series consists of textual and graphic records related to the public exhibition of drawings and poems by Nuu-Chah-nulth artist, Ron Hamilton, which depict the cosmology of the First Nations people. Records include an artists’ biography, notes on exhibit planning, loan forms, and a copy of the exhibit comment book. Also included are photographs from the exhibit and of Hamilton’s drawings, recordings of First Nations gatherings taped at the exhibit, and sound recordings of comments by Hamilton on his work.

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