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Subseries consists of images that were selected by McLennan from Bill Holm Northwest Coast videodisk. Video disks were played in the museum. A copy of the original video disk that images are from is available in David Cunningham fonds (MOA Video 252).

Subseries contains one file consisting of correspondence, budget reports, drawings of the cabinetry, and label designs. McLennan worked closely on this project as liaison to Bill Reid while the cases were being constructed to house Reid's jewelry pieces.

File contains an Adobe In Design file.

File contains an Adobe In Design file of labels for the Friedman case.

Subseries contains of one file consisting of images of two argillite sculptures at the MOA, UBC. These images were taken by McLennan while working with a student on a project related to masking the scale of the object. McLennan called it “Unravelling Scalability.”

File contains several publications related to the YVR Art Foundation, including the following: "YVR Art Foundation Scholarship News 2008"; "Foundation News," <i> YVR Art Foundation</i>, Summer 1995 edition; and a copy of the March 2001 edition of the <i>Vancouver</i> magazine. The file also contains a postcard which features several of YVR's Northwest Coast art collection, including carvings, a canoe, and totem poles situated at the International Arrivals terminal.

File mainly contains textual records related to YVR's expansion of their International Terminal in 2000, and information about the Northwest Coast Art installations at the airport. The textual records include facts and figures, news releases, and artist renderings of the new wing at YVR. The textual records related to the artwork include information about the installations including the artist's names, materials used to make the installation, the work's dimensions, and the official photographer of the piece. The photographs are of the new wing at YVR.

File contains records pertaining to YVR's International Terminal expansion project and YVR's "Coastal Forest Thematics RFP: First Nations Artwork Project". Records pertaining to the expansion project include a project report by Architectura, which includes an introduction of the project, the project's schedule, budget, and thematic drawings. The Artwork Project reports contains the following information related to each specific art piece including an introduction, location of the artwork, the exhibit description, physical requirements and materials needed to create the installation.

Subseries contains four files consisting of background information, meeting minutes and correspondence, research on other cultural centres, and reports. McLennan’s role in this project was to consult with community members to help them identify their needs in order to properly house their cultural heritage.

File mainly contains meeting minutes of the "Cultural Centre Information Meeting of the Squamish Nation". Other records include a Call for Submissions for the <i>First Nations House of Learning Carving Project</i> at the University of British Columbia, and brochure of the <i>Sḵwx̱wú7mesh Uxwumixw: The Squamish Community: Our People and Places</i> exhibit held at the North Vancouver Museum & Archives. The photographs in this record are of two unidentified artifacts with the words "for reference" written on them.

This file contains administrative records pertaining to the housing project held in tandem with the Museum of Anthropology and the CMC. The records include research information, project reports, architectural sketches and prints, project budgets, and memos. There are also some photocopies of images of the construction phase of the houses at the CMC.