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This issue contains articles on recent ceramic acquisitions, the Reconciliation Pole, the opening of the Gallery of Northwest Coast Masterworks, threats to Indigenous peoples in the Amazon, the Coastal First Nations Dance Festival, ethical shopping, the conservation and loan of a thunderbird headdress, climate change, Curator-in-Residence Jordan Wilson, and touchable objects at the museum.

This issue contains articles on current and upcoming exhibition and events, the museum's activities with other museums in the province, a recently acquired woven violin case, educational programs for school groups, artists, mining, and logging along the Sepik River, art and photography in relation to the 2011 earthquake in Japan, and the Museum Associates.

This issue contains articles on current and upcoming exhibition and events, the museum's Asian collections, the Walter C. Koerner Collection of European Ceramics, the Native Youth Program, and the Volunteer Associates.

File consists of magazines published by the museum for members, released about twice a year. The magazines cover collections, exhibitions, events, the Volunteer Associates, books published by MOA staff, various museum initiatives, interviews, behind-the-scenes information, essays by curators, news and updates, and general visitor information.

File consists of pamphlets that advertise upcoming exhibitions, events, and programs, as well as providing news about the museum and general visitor information. Each pamphlet covers a four-month period (January-April, May-August, or September-December). There are two copies of each edition.

File consists of 11 editions of the MOA Library Bulletin, written by various MOA librarians. The bulletins cover news about the library, recent additions to the collection, staff publications, library statistics, and electronic resources of interest.

The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the exhibition Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection and MOA's Asian collections, Stó:lō Chief Frank Malloway, events related to the Asia Pacific Economic Cooperation (APEC), MOA's new collections management system, an award of merit granted to the production team of From Under the Delta, the publication of The Potter's Art edited by Carol Mayer, and the launch of a multi-museum admission program called The Great Escapes. Also included is a Calendar of Events.

The newsletter contains 9 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the appointment of Dr. Ruth Phillips as MOA director, financial support from the federal government, the launch of a new certificate in Museum Studies, the repatriation of a sacred wooden image, Ahayu:da (War God), to the Zuni people, Dr. Marjorie Halpin's CD ROM-based project about the Mountain Eagle Totem Pole from Gitanyow, the Asia Pacific Economic Cooperation (APEC), carpet replacement, new staff member Darlene Chu, and a research grant awarded to Kersti Krug. Also included is a Calendar of Events.

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the erection of new house posts and an ancestral figure by Susan Point, a new school programme co-developed with the Musqueam Nation, the retirement of MOA director Dr. Michael Ames, the launch of MOA's first website, the continuation of Dr. Marjoire Halpin's multimedia project, and the donation and display of Ainu objects. Also included are a Calendar of Events and list of donors.

The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the Hawaiian travelling exhibition Maui: Turning Back the Sky, the Volunteer Associates, the exhibition Vereinigung, a project involving a secondary school art class and ceramics, new Booking Coordinator Anna Nobile, a project to identify the fibres used in ceremonial blankets, and the book An Illustrated Guide to Totem Poles by Dr. Marjorie Halpin. Also included is a Calendar of Events.

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the launch of a campaign to restore the Haida House sculpture complex, a series of clinics and talk about preventive conservation, a memorial to Dr. May Smith, fall courses taught at MOA, the launch of a certificate in Museum Studies, and an update from the Anthropology Shop. Also included is a Calendar of Events.

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, general visitor information, and a list of donors. Subjects include the exhibition From Under the Delta: Wet-Site Archaeology in the Lower Fraser Region of British Columbia, a course about ceramics taught by Carol Mayer at Emily Carr Institute of Art and Design, funding generated by the Anthropology Shop, repatriation of artifacts to the Jacks family of the Tseycum First Nation, funding for two new new multimedia projects by Dr. Marjorie Halpin, and an oral history workshop. Also included are a Calendar of Events and a memorial to Barbara Bethel, UBC/MOA security officer.

The newsletter contains 10 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the exhibition Reclaiming History: Ledger Drawings by the Assiniboine Artist Hongeeyesa, MOA's financial endowments, a house post carved by Lyle Wilson, the residency of Dr. Beatrice Medicine, recent acquisitions to the Asian collection, a MOA membership survey, funding received from the Getty Grant Programme, a project involving a grade 12 art class and ceramics, a new version of the exhibition Cannery Days, and news from the Anthropology Shop. Also included is a Calendar of Events.

The newsletter contains 9 articles about the museum as well as photographs and general visitor information. Subjects include a memorial to Walter C. Koerner, the Native Youth Program, sourcebooks, digitization of images, a new course for volunteer and the general public (Introduction to the Museum of Anthropology), a new school program (My House, Big House with Kwakwaka'wakw elder Rita Barnes), Haisla artist-in-residence Lyle Wilson, an Anthropology Shop update, and conference papers to be published. Also included is a Calendar of Events.

File consists of eight newsletters produced by the museum that highlight recent events, people associated with the museum, new initiatives, programs, exhibitions, gift shop updates, publications, recent acquisitions, courses at MOA, the results of a membership survey, behind-the-scenes information, and other news about the museum. Articles are written by curators, administrators, and other staff members. The newsletters were published three times a year, in January, May, and September.

This collects all MOA Museum Notes. Museum Notes are produced by MOA staff and artists to accompany a particular exhibition or installation. Each Museum Note expands on the information provided to visitors in the exhibition, shining a light on individual works, processes, and artists. They provide supplementary content for museum visitors and serve as a documentation of research.

List of Museum Notes by #:
[0] Beginnings: An Exhibition of the silkscreen prints of Roy Henry Vickers
[1] Norman Tait Nishga Carver
[2] Joe David
[3] Totem Poles: An Illustrated Guide
[4] Pursuing the Past: A General Account of British Columbia Archaeology
[5] Image and Life: 50,000 years of Japanese Prehistory
[6] The Raven Rattle
[7] Cycles: The Graphic Art of Robert Davidson, Haida
[8] The Haida Legend of the Raven and the First Humans as retold by Bill Reid
[9] Sculpture and Engraving of the Central Coast Salish Indians
[10] A Guide to Buying Contemporary Northwest Coast Indian Arts
[11] Blood from Stone
[12] Ninstints: Haida World Heritage Site
[13] Changing Tides: the Development of Archaeology in B.C.’s Fraser Delta
[14] Ouroboros: A Major Work by Vancouver Artist Stephen Clark
[15] New Visions: Serigraphs by Susan A. Point, Coast Salish Artist
[16] Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam
[17] Robes of Power: Totem Poles on Cloth
[18] Jack Shadbolt and the Coastal Indian Image
[19] Bill Reid: Beyond the Essential Form
[20] From the collections: UBC Museum of Anthropology cookbook
[21] Cowichan Indian Knitting
[22] The Third Eye: The Scientific Investigation of Museum Objects
[23] Bob Boyer: A Blanket Statement
[24] Translations of Tradition: Joanna Staniszkis’ Recent Work
[25] La Légende Haïda du Grand Corbeau et des Premiers Hommes Racontée par Bill Reid
[26] A Family Affair: Making cloth in Taquile, Peru
[27] The Leary Collection of Cypriot Antiquities
[28] Lyle Wilson: When Worlds Collide
[29] Our Chiefs and Elders: Photographs by David Neel, Kwagiutl
[30] The Koerner Ceramics Gallery
[31] Fragments: Reflections on Collecting
[32] Eulachon: A Fish to Cure Humanity
[33] Labour of Love: The Making of the Museum
[34] Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection
[35] Objects and Expressions: Celebrating the Collections of the Museum of Anthropology at the University of British Columbia
[36a] Nunavutmiutanik Elisasiniq: A Tribute to the Peoples of Nunavut
[36b] Raven’s Reprise: Contemporary Works by First Nations Artists
[37] From the Collections: UBC Museum of Anthropology Cookbook, 50th Anniversary Edition
[38] Robert Davidson: The Abstract Edge
[38F] Robert Davidson: le Bord Abstrait
[39] Peter Morin’s Museum: An Installation with Performances
[40] Hiroshima by Ishiuchi Miyako
[41] Pleased to Meet You: Introductions by Gwyn Hanssen Pigott
[42] Paradise Lost?: Contemporary Works from the Pacific
[43] (In)visible: The Spiritual World of Taiwan Through Contemporary Art
[44] In the Footprint of the Crocodile Man: Memories, Myths and contemporary art of the Sepik River, Papua New Guinea
[n/a] Layers of Influence
[45] In Her Words: Contemporary Women Artists from Aboriginal Australia
[46] Shadows, Strings & Other Things: Puppet Makers & Puppeteers
[47] Playing with Fire: Ceramics of the Extraordinary
[n/a] Kent Monkman: Shame and Prejudice
[48] A Future for Memory: Art and Life After the Great East Japan Earthquake

File consists of brochures that advertise exhibitions and events at the museum, including short blurbs about each. Each calendar covers a four-month period (January-April, May-August, or September-December).

Types of events described include exhibitions, opening receptions, lectures, artist talks, guided gallery walks, behind-the-scenes tours, events for youths and seniors, site visits and other excursions, conferences, workshops, identification clinics, performances, courses, school programs, calls for volunteers, sales at the gift shop, and reports on research and community-based projects. The calendars also contain museum announcements and news as well as general visitor information and lists of donors.

Report on the operations of the Satellite Gallery's exhibitions, visitor rates, events & programs, social media, visual identity, and bookstore. The Museum of Anthropology is listed as a partner of the Satellite Gallery, along with the Morris & Helen Belkin Art Gallery and the Presentation House Gallery.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of Laura Osorio's multifaceted curatorial research in Latin America, the museum's review of its African collection, the beginning of an Indigenous internship program, and planning for a seismic mitigation project, among other initiatives.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of collaborations with the global partners including the National Museum of Papua New Guinea, cultural preservation and conservation work in local communities and institutions, and digitization projects at the Audrey and Harry Hawthorn Library and Archives and the Oral History and Language Lab, among other initiatives.