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Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
![[Bill Reid holding mask]](/uploads/r/null/e/c/9/ec9db9b84f12a455ff8d1762320a173eb932c791bfb29524dd66bdfada3e1741/a035137c_142.jpg)
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid, seated, holding a carved wooden mask of an animal head.
![[Back of photograph of Ninstints expedition]](/uploads/r/null/1/4/e/14e3383399373dd0ecde082679005564fd9005b7db2ac026d1b08332400b34c8/a035183-2c_142.jpg)
[Back of photograph of Ninstints expedition]
Parte de William McLennan (MOA Curator) fonds
The back of a photograph of Wilson Duff, Harry Hawthorn, Bill Reid and John Smyly under a shelter on Skunnggwaii llanas (Anthony Island). The image was taken during the Ninstints expedition to retrieve 11 totem poles from the area. Back of item #a035183-1.
Other [photographs of Anthony Island]
Parte de William McLennan (MOA Curator) fonds
File contains images of Anthony Island, and one of Wilson Duff doing archaeology.
Parte de William McLennan (MOA Curator) fonds
The majority of this file contains historical images of the Tlingit and Tahltan First Nations and their respective villages. The other images are of Tlingit or Tahltan artifacts housed in various museums in Canada and the United States. The historic images are of Tlingit or Tahltan villages which include images of Northwest Coast architecture, houses posts and totem poles, canoes, and other household items such as bowls, weavings, and bentwood boxes. There are also some images of the Tlingit people in regalia. The textual records contained in this file is a paper titled "The History of the Babine Carriers," written by Wilfred Adam for the class Education 479, Cross Cultural Education.
Parte de William McLennan (MOA Curator) fonds
File contains a combination of historical and modern day images of canoes used by First Nation groups living on the Northwest Coast. The historical images contain images of village life and uses of the canoe in a historical context. The modern day images show canoes housed in various museums in Canada and the United States. The textual records contained in this file are photocopies of images of canoes, both from historical photographs and of modern day photographs.
Parte de William McLennan (MOA Curator) fonds
File consists of photographic prints depicting Oweekeno cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50006 in MOA's Great Hall.
Susan Point carving Flight (Spindle Whorl)
Parte de William McLennan (MOA Curator) fonds
Image of Susan Point (Musqueam) carving Flight (Spindle Whorl) in a workshop. The work appears to be near completion.
Vancouver International Airport Musqueam Welcome Area
Parte de William McLennan (MOA Curator) fonds
Image of the Vancouver International Airport Musqueam Welcome Area. The image may have been taken at the opening celebrations.
Parte de William McLennan (MOA Curator) fonds
Image depicts the exhibition The Pacific Passage installed at the Vancouver International Airport. The focal point of the photograph is Hetux, a large Thunderbird sculpture created by artist Connie Watts (Nuu-chah-nulth, Gitxsan and Kwakwaka'wakw).
Parte de William McLennan (MOA Curator) fonds
This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.
United Church of Canada photo archives
Parte de William McLennan (MOA Curator) fonds
File contains images of various townspeople living in Bella Bella. The textual records include correspondence between McLennan and the United Church of Canada/Victoria Library Archives and catalogue cards from the five photographs included as well as from others.
Parte de William McLennan (MOA Curator) fonds
File contains images of Northwest Coast artifacts held by a private collector.