235 resultados con objetos digitales Muestra los resultados con objetos digitales
Memorial pole being raised in the Haida Village
Parte deGeorge Szanto fonds
Item is a colour image of Memorial pole being raised in the Haida Village at Totem Park at the University of British Columbia (UBC). The Haida house appears to the left. The double memorial pole appears to the right.
Memorial pole being raised in the Haida Village
Parte deGeorge Szanto fonds
Item is a colour image of Memorial pole being raised in the Haida Village at Totem Park at the University of British Columbia (UBC).
Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.
The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.
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Bill Reid watching memorial pole being raised in the Haida Village
Parte deGeorge Szanto fonds
Item is a colour image of Bill Reid watching memorial pole being raised in the Haida Village at Totem Park at the University of British Columbia (UBC)
Parte deVirginia Kehoe fonds
Doug Cranmer and his paintings at a North Vancouver art show, possibly in 1964.
Parte deVirginia Kehoe fonds
Doug Cranmer at his shop, located at 2706 Granville, in Vancouver. 1965. "Time out"
Parte deVirginia Kehoe fonds
Image depicts the mythical serpent Sisiul, painted in black on white paper. Additional notes say, "Shutter 50 Ap. 2.8__4"
Parte deVirginia Kehoe fonds
Image depicts an eagle, which seems to be painted on canvas rather than paper.
Parte deVirginia Kehoe fonds
Image depicts a painting of D'zonoqua, done in red and black on white. Additional notes indicate this work was painted by Douglas Cranmer in 1964 or 1965.
Parte deVirginia Kehoe fonds
Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.
Parte deVirginia Kehoe fonds
Image depicts a painting of a sea creature, possibly a whale. The painting is done in black, red and blue on white paper.
Eagle in black and red on white
Parte deVirginia Kehoe fonds
Image depicts a painting of an eagle with spread wings and feet.
Habitat creation myth painting
Parte deVirginia Kehoe fonds
Image depicts a painting of the myth of habitat creation. Painting is done in black and red on white.
Black and white ovoid painting
Parte deVirginia Kehoe fonds
Image depicts a painting done in black and white that features many ovoid shapes.
Parte deVirginia Kehoe fonds
Image depicts a painting filled with ovoid shapes that seem to comprise at least one creature. Painting is done in black on white with highlights of red.
Painting in black, white, red and green
Parte deVirginia Kehoe fonds
Image depicts a painting that features images of two creatures, one of which might be a killer whale.
Parte deVirginia Kehoe fonds
Image depicts a painting done on wood, depicting an eagle. The painting is flanked by two small carvings that face the painting, depicting a bear and an eagle.
Parte deVirginia Kehoe fonds
Image depicts a painting of a mink and clouds, created by Douglas Cranmer in 1965. Additional notes say, "Sh 50 Ap. 2.8"
Parte deVirginia Kehoe fonds
Image depicts a print entitled Red Border Eye Design. Other notes say, "sh 50 Ap 2.8__4"
Parte deVirginia Kehoe fonds
Image depicts a painting with five crests--four resemble bird heads and surround a centre figure that resembles some kind of mammal. The black on white painting is matted with a red border. Slide notes say, "Sh 60 Ap 5-6"