Audrey and Harry Hawthorn Library and Archives

B.C.T.P.P.C expedition, Ninstints, Anthony Island original photos

1-1-E-7 (Oversize 12.7)
File
[?]

Part of William McLennan (MOA Curator) fonds

File contains images of Anthony Island.

Cowichan sweater knitting photographs

1-1-F-6 (8.15)
File
[ca. 1986]

Part of William McLennan (MOA Curator) fonds

File contains images of the exhibit Cowichan Indian Knitting and some close up images of the pieces in the exhibit.

Booklet

1-1-H-2 (5.6)
File
[ca. 1983]

Part of William McLennan (MOA Curator) fonds

File contains the booklet Hands of Our Ancestors, written by Elizabeth Johnson and Kathryn Bernick. This booklet was published as No. 16 in the Museum Note series. In addition this file contains the invitation to the opening of the exhibition.

The Whiteman in North America

1-1-K
Subseries
[1987 or 1988]

Part of William McLennan (MOA Curator) fonds

This subseries contains images of the exhibit and textual panels from the exhibit as well as drafts of exhibit text and research materials.

Beadwork photographs

1-1-O-1 (8.1)
File
[1982]

Part of William McLennan (MOA Curator) fonds

File contains printed photographic images of a beaded object as well as negatives showing someone displaying the beaded object.

On stoney ground

1-1-P
Subseries
July 1982

Part of William McLennan (MOA Curator) fonds

Subseries contains images of people working in the Museum of Anthropology collections installing the exhibit On Stony Ground.

University of British Columbia (UBC) series

3-3-12
Series
1979, 1986, 1997 - 2004

Part of Vickie Jensen and Jay Powell fonds

Series consists of photographs documenting totem pole raising or restoration and other events held at the University of British Columbia (UBC) Museum of Anthropology (MOA).

In 1976 Jensen was hired by MOA to document the installation of totem poles into the new building. Jensen did not keep the negatives for these photographs (MOA did in this instance). She was hired again in 1981 to create a slide loop of images to be featured in the museum. After working with the museum, she felt welcome there and often gave talks or did training. Most of the subsequent photographs in this series were taken at public events such as book launches or pole raisings.

Norman Tait