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Haida Gwaii Rites and ceremonies Engels
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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is looking down onto a man (Davidson?) painting the pole, with a crowd gathered nearby.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole laying on the ground, with ropes attached to raise it. A crowd is gathered, some of whom are holding onto the rope.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the crowd gathered for the pole raising. The most prominent person in the photograph is a woman wearing what appears to be a ceremonial dress, holding up a long stick.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial view of the pole raising area and crowd. The pole is still on the ground, with a number of people next to the pull. They appear to be pushing the pole toward the hole in the ground in which it will stand.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole still on its side, propped up on logs on the ground. A number of individuals are standing around the base of the pole, possibly positioning it to go into the hole in the ground where the pole will stand. A church is in the background.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a crowd gathered for the event, including a group of three older men seated in the foreground, in what appears to be ceremonial dress.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground near the hole in the ground into which it will be propped. Ropes are attached to the pole to raise it, and the process of moving the pole into a whole in the ground has been started.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground near the hole in the ground into which it will be propped. Ropes are attached to the pole to raise it, and the process of moving the pole into a whole in the ground has been started.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground near the hole in the ground into which it will be propped. Ropes are attached to the pole to raise it, and the process of moving the pole into a whole in the ground has been started.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the lower part of the totem pole after it has been placed into a hole in the ground where it will stand. A number of individuals are shoveling dirt around the base to hold it in place.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole while it is still lying on the ground. A crowd is gathered around it, and a few children are sitting on or leaning against the pole.

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Pole raising, Haida Gwaii

Image from a pole raising in Haida Gwaii. The pole was carved by Robert Davidson. In this image, the pole is in the process of being raised.

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Pitt Rivers Museum, Oxford

File consists of correspondence from 1966 and 1967 between Wilson Duff and K.O.L. Burridge, of the Pitt Rivers Museum, regarding Haida potlatch masks. Included is correspondence from 1902 between Franz Boas and E.B. Tylor, which notes a discussion between Charles Edenshaw and John Swanton. The file also consists of b&w photos of the masks and the article "The Haidas," from Harper's New Monthly Magazine, dated June-November 1882.

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