- 132-1-C-B-a041151
- Item
- [197-?]
Parte deMOA General Media collection
Image of the face of a Dzunuk'wa sculpture, possibly part of a totem pole. Photograph may have been taken by Wilson Duff.
1363 resultados con objetos digitales Muestra los resultados con objetos digitales
Parte deMOA General Media collection
Image of the face of a Dzunuk'wa sculpture, possibly part of a totem pole. Photograph may have been taken by Wilson Duff.
The carving of a NWC mask often the work of a specialist
Parte deMOA General Media collection
Display for the museum. Uncertain relation to exhibitions. Shows two masks one in the process of being carved with tools nearby.
Initial carving stages at Haida Gwaii
File contains images showing artists beginning to work on Bill Reid's pole..
Carving and installation at MOA
File contains images showing the final touches being done on the pole as well as ceremony and raising the pole at the Museum of Anthropology.
File contains images showing the ceremony and pole raising at the Museum of Anthropology.
File contains images showing the Respect to Bill Reid Pole being unloaded from the flat bed truck.
Respect to Bill Reid pole slides
File contains a slides of work being done on the Respect to Bill Reid Pole.
This file contains images of totem poles taken by Edward Malin and used in the Quatsino source book.
Jacquie Gijssen’s slides of R. Davidson’s Pepsi-Co Commission
File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.
File contains images of totem poles and other Northwest Coast artifacts, such as weavings and carvings, housed at the Peabody Museum in Boston.
File contains images of Stan Green carving outside his workshop as well as close up images of his masks. In addition is coresspondence between Stan Green and Darrin Morrison inviting Green to speak at an event.
File consists of images of Walter Harris standing in front of a totem pole.
Jim Hart, Haida carver, working on a copy of an Old Masset pole
Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.
File includes one drawing and three photographs of MOA Object ID A50043 which is a speaker's post. The photograph is annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
File contains photographs of a pole raising ceremony. Included are images of drummers, and community members in regalia, and transporting and raising the totem pole.
Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.
Child and totem pole, view two
Parte deStanley E. Read fonds
Image depicts a child leaning against the base of a totem pole. The pole shows a human figure with an open mouth. See also item a034827 for another view of this pole.
According to George Read, Stanley Read's son, the pole in the image is the Half Way Out pole of Delgamuukw's house; the boy is Harry Brown, whose Gitxsan name is Xsuwii 'Guus.