Audrey and Harry Hawthorn Library and Archives

1-2-L-9 (10.13)
Bestanddeel
[?]

Part of William McLennan (MOA Curator) fonds

File contains a slides of work being done on the Respect to Bill Reid Pole.

1-4-C-9 (64.4-5)
Bestanddeel
[199-?]

Part of William McLennan (MOA Curator) fonds

File contains historical photographs of Gitxsan villages, with a specific focus on totem poles and various buildings in the villages. There are also some images of the Gitxsan people in regalia. The textual records contain information to some of the photographs, listing the photograph's title and the museum and/or archive it originated from.

Totem poles, an illustrated guide

1-1-A
Deelreeks
1981

Part of William McLennan (MOA Curator) fonds

Subseries contain the images used in the Museum Notes booklet titled Totem Poles: An illustrated Guide by Marjorie M. Halpin, as well as a copy of the booklet.

ref # 1-1-A

Robes of power: Totem poles on cloth

1-1-B
Deelreeks
1986

Part of William McLennan (MOA Curator) fonds

Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.

Great Hall label photographs

1-4-E
Deelreeks
[ca. 2005]

Part of William McLennan (MOA Curator) fonds

Sub-series consists of photographic prints and photocopies collected from other institutions for use on object labels in MOA's Great Hall. Items were originally housed in two large binders with dividers.

Bill Reid pole

1-2-L
Deelreeks
2000-2004

Part of William McLennan (MOA Curator) fonds

Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.

Haida artist Jim M. Hart putting finishing touches on totem pole

1-4-B-38 (22.11)-a033867
Stuk
1982

Part of William McLennan (MOA Curator) fonds

Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.

Masset (Haida) pole carved by Jim M. Hart

1-4-B-38 (22.11)-a033868
Stuk
1982

Part of William McLennan (MOA Curator) fonds

Item is a photo showing a totem pole in a carving shed, shortly before it was raised.

Jim M. Hart working on a totem pole

1-4-B-38 (22.11)-a034864
Stuk
1982

Part of William McLennan (MOA Curator) fonds

Item is a print showing Jim Hart, Haida carver, working on a copy of an Old Masset pole raised on the ground of UBC Museum of Anthropology on 2 October 1982.

Jim Hart, Haida carver, working on a copy of an Old Masset pole

1-4-B-38 (22.11)-a034866
Stuk
1982

Part of William McLennan (MOA Curator) fonds

Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.

Dancer at the Old Masset pole raising at MOA

1-4-B-38 (22.11)-a034869
Stuk
1982

Part of William McLennan (MOA Curator) fonds

Item is a photo showing a man in Haida regalia dancing in front of a totem pole that is about to be raised. There is a large crowd behind him, watching. There is anther totem pole and a long house in the background.