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File contains images of Bill Reid's jewelry.

File contains copies of letters McLennan wrote to people and the American Museum of Natural History in order to identify the artist who created the bracelet as identified in the previous file. Other records include a catalogue list and information about the formation of copper and silver bracelets.

This subseries consists of records relating to McLennan’s teaching work at the Freda Diesing School of Northwest Coast Art in Terrace B.C. from 2006 until 2011. McLennan has continued to teach in 2012-2013, and may return after his retirement from the MOA at UBC.

File contains information about the Margaret A Cargill Foundation and its grant of $1500 awarded to the Museum of Anthropology and a print off of a news story on the Northwest Community College website pertaining to the Lieutenant Governor Steven Point's visit to the Freda Diesing School.

File contains one spiral bound book (unpublished) containing photographs of the Signed without Signature exhibition and events, as well as a review of the exhibition.

Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.

File contains images of people, events, and/or artwork associated with and/or produced at the Freda Diesing School. There are also images of longhouses and totem poles.

File contains information about the opening of the Freda Diesing School at Northwest Community College, as well as information about the two year Diploma program. It also contains information about the inaugural class to partake in the school. There is also a thank you card to Bill for attending the official opening of the school.

Subseries consists of correspondence and accompanying photographs collected in anticipation of a potential metals project that never occurred at the Museum.

File contains information on objects complied from the Reciprocal Research Network related to Charles Edenshaw.

Series consists of records created by William McLennan in the course of planning and photographing various projects and events at MOA.

Projects are considered as having a longer duration, often occuring outside of the physical museum building, and in cooperation with other bodies. McLennan often liaised with First Nation communities and artists during the planning stages of projects.

Events are considered as having occurred over a short period of time. Events were attended by McLennan as a MOA representative and photograph.

On both projects and events McLennan took on larger roles in addition to photographer such as community liason, presenting on topics, and designer. Each project and event comprises their own sub-series.

Series consists of records relating to McLennan’s administrative role as a curator at the MOA, including public relations (interviews given, lectures given, publications about the museum and his work), annual reports and correspondence (inquiries from interested parties regarding certain artifacts, events, people and donations at the museum). The majority of this series presents itself in textual records, however there are also digital records included as well. There are a large number of digital images in the file ‘Photographs’ which depict various stages in the museum development of MOA, significant artists, MOA grounds and landscape, special events and visitors and milestone occasions.

File contains an Adobe In Design file of labels for the Friedman case.

This file contains images of the club owned by Captain Cook housed in the collection at the Museum of Anthropology, UBC. The images include views from all angles and a composite image showing a 360 degree view of the club.