Subseries consists of images of artifacts and of the exhibit. Artifacts in this exhibit are part of the Laboratory of Archaeology (LOA) collection at UBC. For more information on the objects contact the LOA.
File contains images of a painting created by Patricia Richardson Logie. The painting depicts a portrait of Blanche MacDonald. In addition, are images of the opening of the exhibit <i>Chronicles of Pride</i> in the great hall of the Museum of Anthropology.
File contains a book titled Jack Shadbolt and the Coastal Indian Image written by Marjorie Halpin and was published in the Museum Notes series as No. 18. In addition is the invitation to the opening event held at the Museum of Anthropology on June 17, 1986.
Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.
This subseries contains images shown in the exhibit <i>Anonymous Beauty</i> curated by Miriam Clavir. This exhibit was on the Japanese handmade paper collection housed at MOA. In addition are 4 transparencies of the exhibit text.
Subseries consists of images taken in the great hall at the Museum of Anthropology showing an exhibit titled Chronicles of Pride. Patricia Richardson Logie participated as an artist showing her portrait of Blanche MacDonald.
File contains book and exhibit pamphlet for exhibit Robes of Power: Totem Poles on Cloth. The book published from this exhibit is No. 17 of the Museum Notes Series In addition are two letters of correspondence.
Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.
Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.
