- 100-2-O
- Sous-série organique
- 1989-1995
Fait partie de Carol Mayer fonds
4 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fait partie de Carol Mayer fonds
Reclaiming History: Ledger Drawings by Assiniboine Artist Hongeeeysa
Fait partie de David Cunningham fonds
Sans titre
Fait partie de William McLennan (MOA Curator) fonds
Subseries consists of photographs and textual records relating to and documenting the reconstruction of the roof and exterior of the Haida House at the MOA. Photographs depict the exterior of the Haida House pre-reconstruction as well as the surrounding totem poles. The accompanying textual records document proposals for the reconstruction, correspondence regarding materials, construction, financial documentation including proposed budgets and grant applications, and a UBC MOA Haida House Upgrade Proposal Report.
We Sing to the Universe: Poems and Drawings to Ron Hamilton
Fait partie de Darrin Morrison fonds
This exhibit was the first public display of drawings and poems by Nuu-chah-nuulth artist Ron Hamilton.
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains textual and photographic records of the Pakistan Pavilion at the 1986 World Expedition held in Vancouver, better known as Expo ‘86. McLennan contributed to the design, content and installation of this exhibit.
Fait partie de Carol Mayer fonds
Fait partie de David Cunningham fonds
Joanna Staniszkis: Translation of tradition
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains images of textiles.
Honouring Master Wong Toa [Restricted]
Fait partie de Elizabeth Johnson fonds
Subseries consists of photographs from the event ‘Honouring Master Wong Toa’ which was held at the Museum of Anthropology (MOA), the Asian Library and Asian Centre and St. John’s College. The photographs were taken by Hayne Wai from the Chinese Canadian Historical Society. Subseries also contain the agenda for the event.
Sans titre
Fait partie de Carol Mayer fonds
High Slack: An Installation by Judith Williams
Fait partie de Darrin Morrison fonds
This exhibit by Vancouver Artist and UBC Fine Arts Professor Judith Williams included installations of paintings, sculptures, photographs and bookworks at MOA as a series of proposals for future directions in our relations with “other.”
High Slack: An Installation by Judith Williams
Fait partie de David Cunningham fonds
Sans titre
Paradise Lost? Contemporary Works from the Pacific
Fait partie de Skooker Broome fonds
Subseries consists of records related to the graphic design for the Paradise Lost? exhibit, on display at the Museum of Anthropology July 24 - September 29, 2013, and at the Satellite Gallery July 24 - August 31, 2013. The exhibit was curated by Dr. Carol Mayer (MOA curator).
Chinese Peasant Textiles Art: Kwantung and Szechuan Provinces
Fait partie de Elizabeth Johnson fonds
Subseries consists of records relating to the exhibit, “Chinese Peasant Textiles Art.” This exhibit was proposed by Elizabeth Johnson and carried out by students. Records include notes, excerpts from articles, visitor survey forms, handwritten notations, hand-drawn diagrams of display cases, proposals and budgets.
Sans titre
Clothing and identity: Selections from MOA’s fine costume collection
Fait partie de William McLennan (MOA Curator) fonds
Subseries consists of the text and images used in an exhibit titled <i>Clothing Identity.</i>
Fait partie de William McLennan (MOA Curator) fonds
Series contains slides of banners created for the City of Vancouver by McLennan.
Fait partie de Karen Duffek fonds
Sub-series consists of records relating to the exhibit Anspayaxw: An installation for voice, image, and sound. This exhibit was at the Satellite Gallery in 2013. The Satellite Gallery was an experimental exhibition space shared between Charles H. Scott Gallery (ECUAD), the Morris and Helen Belkin Art Gallery (UBC), the Museum of Anthropology (UBC), and the Presentation House Gallery. The gallery is closed as of June 2015.
Karen Duffek curated the Anspayaxw exhibit.
Fait partie de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual records related to an exhibit on visible storage space at the museum. Records include meeting minutes from the Textile Committee and reports by Michael Ames, Moya Robinson, Herb Watson, Audrey Shane, and the Royal Ontario Museum.
Pole Walk, tour of MOA with Dr. Kew, Dr. Halpin and Don Bain
Fait partie de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual records including the transcript for the guided tour of the museum collection given by Dr. Halpin, Dr. Michael Kew and Don Bain for staff, students, and volunteers from the Museum of Anthropology on April 13, 1993 and May 30, 1993.
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains records directly related to the planning, development and execution of the Transforming Image exhibit at MOA. Planning for the exhibit began in 1983 when grants were obtained to begin research on Northwest Coast paintings. The exhibit itself occurred in 1993. The exhibit was the end result of research and development of a technique to view severely faded Northwest Coast First Nations paintings and painted objects through the use of infrared technology. Records include correspondence and information requests, public relations files, grant application information, budgeting information, papers, conferences and publications about the Transforming Image, files related to the publishing of the Transforming Image book and school interest in the exhibit.
Due to its large volume, The Transforming Image subseries has been broken down further into sub- subseries: Administration records; Research files; Book related; and Institutional photographs.
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