Saxmen Tlinget dancing at Totem Bite [Bight], Ketchikan, Alaska
- 134-a040190c
- Item
- 24 Aug. 1972
Part of E. Polly Hammer fonds
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Saxmen Tlinget dancing at Totem Bite [Bight], Ketchikan, Alaska
Part of E. Polly Hammer fonds
Cowichan salmon weir and man with spear
Part of Anthony Carter fonds
Image of a man seated on the side of the Cowichan River (Vancouver Island) holding a fishing spear.
Anthony Carter
Part of Anthony Carter fonds
mage of three individuals standing on the platform of a fishing weir on the Cowichan River, holding spears. A similar image is printed on page 15 of Carter's book "From History's Locker," with the caption: "Salmon weir on the Cowichan river, the native people continue a very ancient form of spear fishing for migrating salmon. The weir is not a trap but merely a means to slow the fish on the way up the river."
Anthony Carter
Part of Anthony Carter fonds
Image of a wooden building with a sign hanging from the front of it that says "Salmon for Survival." The building appears to be a place where salmon is processed, dried, and/or sold. It is located next to a creek or low lying river.
Anthony Carter
Part of Anthony Carter fonds
mage of three individuals standing on the platform of a fishing weir on the Cowichan River, holding spears. A similar image is printed on page 15 of Carter's book "From History's Locker," with the caption: "Salmon weir on the Cowichan river, the native people continue a very ancient form of spear fishing for migrating salmon. The weir is not a trap but merely a means to slow the fish on the way up the river."
Anthony Carter
Part of Anthony Carter fonds
Image of a salmon weir on the Cowichan River, Vancouver Island. The weir is seen from a slight distance up or down the river.
Anthony Carter
Part of Anthony Carter fonds
mage of three individuals standing on the platform of a fishing weir on the Cowichan River, holding spears. A similar image is printed on page 15 of Carter's book "From History's Locker," with the caption: "Salmon weir on the Cowichan river, the native people continue a very ancient form of spear fishing for migrating salmon. The weir is not a trap but merely a means to slow the fish on the way up the river."
Anthony Carter
Part of Anthony Carter fonds
mage of three individuals standing on the platform of a fishing weir on the Cowichan River, holding spears. A similar image is printed on page 15 of Carter's book "From History's Locker," with the caption: "Salmon weir on the Cowichan river, the native people continue a very ancient form of spear fishing for migrating salmon. The weir is not a trap but merely a means to slow the fish on the way up the river."
Anthony Carter
Part of Anthony Carter fonds
mage of three individuals standing on the platform of a fishing weir on the Cowichan River, holding spears. A similar image is printed on page 15 of Carter's book "From History's Locker," with the caption: "Salmon weir on the Cowichan river, the native people continue a very ancient form of spear fishing for migrating salmon. The weir is not a trap but merely a means to slow the fish on the way up the river."
Anthony Carter
Three drummers perform Ryujin daiko in the Great Hall
Japanese performers in the Great Hall
A performer wearing a Tengu mask is in the foreground, while another performer stands at a microphone and appears to be reading from a sheet of paper. A different performer in the background stands behind a drum, while another sits on the floor and audience members look on.
A performer wearing what appears to be an oni mask kneels on the floor with their arms outstretched in the foreground. A drum with a dragon head sitting on it sits behind the performer, and a performer holding a drum stands in the background.
Japanese dancer in front of totem pole
A Japanese dancer performs in front of a totem pole in the Great Hall
Masked performer holding stick
A masked performer holds a stick in the foreground, in front of a drum with a dragon head sitting on top of it and other performers in the background
A Hanayagi-ryu dancer performs in the Great Hall
A costumed Japanese performer appears to play a drum out of frame of the picture
A performer wearing what appears to be an oni mask kneels on the floor with their arms outstretched in the foreground. A drum with a dragon head sitting on it sits behind the performer, and a performer holding a drum stands in the background.
A perfomer in a Tengu mask stands next to a drum in the Great Hall with audience members in the background
A mask of a dragon head sits on top of a drum in the foreground, while two costumed performers play a second drum as spectators watch in the background.
A performer in a dragon costume leans on a drum