Where are the children? Healing the legacy
- 1-1-JJJ
- Sub-séries
- 2002
Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.
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Where are the children? Healing the legacy
Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.
Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.
The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.
Sin título
Parte deGillian Darling Kovanic fonds
Research conducted concerning the murder of Jordi Magraner, including: an e-mail from Birgitte Sperber about her memories of Jordi Magraner and an article titled "Oral Statements Concerning Living Unknown Hominids" by Jordi Magraner
MAP Final Report and Robert Davidson Letter
Parte deKaren Duffek fonds
Willy White: “My Ancestors Are Still Dancing”
Parte deKaren Duffek fonds
The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.
Includes: letter regarding merger of Architectura and Stantec, letter from Michael Lundholm regarding additional work needed prior to start of design, list of MOA activities 2002-2005, notes from Moya Waters' presentation to the Pacific Spirit Park Society, notes from meeting with Lundholm, and correspondence with Faculty of Arts Development office.
Renewal Project - meeting minutes and agendas
Includes minutes and other documents from meetings involving MOA staff and committees, Stantec, UBC Properties Trust, UBC Advisory Urban Design Panel, and UBC Campus and Community Planning.
Includes multiple "Request for Decision" documents sent to UBC Board of Directors for renewal project, as well as a small amount of correspondence.
Parte dePam Brown fonds
El Corazon del Mundo: At the Heart of the World
Parte deDavid Cunningham fonds
Parte deDavid Cunningham fonds
Letter re: use of Written in the Earth images
Parte deDavid Cunningham fonds