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File contains images of Mary-Ann Novokoneski in front of the exhibit. In addition the contact sheet shows images not available in negative format.

Subseries consists of three slides of a Northwest Coast art piece with a caption reading, "A traveling exhibition of contemporary Kwakiutl art by the National Museum of Man."

File contains images of a painting titled "Carrier of the Sweat Lodge" by John Laford. This painting was shown in the exhibit titled <i>Spirits in the Rock</i>.

Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).

Subseries contains images of objects and the exhibit.

File contains two images. The first image is a negative depicting two unidentified people dressed in traditional dress. The second image is of the back of an unidentified person looking at a museum description on a wall. There is a mannequin dressed in traditionnal dress placed to the left of the person.

File contains images of drawings that were part of the exhibit <i>Images of Life: 50000 years of Japanese Pre-History</i>. Drawings include illustrations of village life, tools, the inside of houses, and dress.

File contains a proposal for the Images of Life exhibition, designed by McLennan.

File contains images of artifacts in the <i> The World of Spirits: Igbo Masks Exhibit</i>. These artifacts include masks, clothing, and shields.

Subseries contains images of an exhibit at the Prince Rupert Museum featuring works by Norman Tait.

File contains images of the <i>Norman Tait Exhibit</i> at the Prince Rupert Museum.

Subseries contains images showing the exhibit.

File contains images of the <i>Roy Vickers, "Beginnings"</i> exhibit.

Subseries contains records directly related to the planning, development and execution of the Transforming Image exhibit at MOA. Planning for the exhibit began in 1983 when grants were obtained to begin research on Northwest Coast paintings. The exhibit itself occurred in 1993. The exhibit was the end result of research and development of a technique to view severely faded Northwest Coast First Nations paintings and painted objects through the use of infrared technology. Records include correspondence and information requests, public relations files, grant application information, budgeting information, papers, conferences and publications about the Transforming Image, files related to the publishing of the Transforming Image book and school interest in the exhibit.

Due to its large volume, The Transforming Image subseries has been broken down further into sub- subseries: Administration records; Research files; Book related; and Institutional photographs.

ref # 1-1-MMM-1

Subseries contains images of a carved spindle whorl.

File contains images of spindle whorls. Images have annotations in the borders.

Subseries consists of records relating to the <i>Through My Eyes</i> exhibit held at the Museum of Vancouver. The exhibit is a collaborative effort curated by 27 First Nations people of different Northwest Coast communities allowing them to “present their personal perspective” of their culture and its objects. McLennan was involved through managing the development, production and implementation of this collaborative effort. Records include photographs and slides of potential exhibit artifacts, media reviews, student paper reviews, exhibit project statements, transcripts of interviews done with First Nations artists, correspondence, consent forms for interviews and audio cassettes of the taped interviews which detail McLennan discussing various pieces of First Nations art with several artists.

File contains images of the artists featured in the Through My Eyes exhibit such as Jim Hart, Bob Dempsey, Bill Reid, Richard Sumner, William White, Isabell Rovidk, Doreen Jensen, Richard Hunt, and Terry Starr. There are also images of some of their pieces, also featured in this exhibit.

File contains images of an argilite carving of a man with a pronounced lebret piercing.

File contains copies of artifacts labels for some of the pieces featured in the <i>Signed without Signatures</i> exhibit.