- 81-04-a033269
- Item
- [ca. 1960 - 1990]
Interior view of a church focusing on a large stained glass window. An altar and pews are also visible. See also item a033270.
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Interior view of a church focusing on a large stained glass window. An altar and pews are also visible. See also item a033270.
Interior view of a church focusing on a large stained glass window. An altar and pews are also visible. See also item a033269.
Part of MOA General Media collection
Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.
Part of MOA General Media collection
Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.
Part of MOA General Media collection
Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.
Part of MOA General Media collection
Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.
Part of MOA General Media collection
House posts from Hope Island in situ. These were later removed and brought to UBC. They are currently housed at the Museum of Anthropology.
Part of MOA General Media collection
House posts from Hope Island in situ. These were later removed and brought to UBC. They are currently housed at the Museum of Anthropology.
Part of MOA General Media collection
House posts from Hope Island in situ. These were later removed and brought to UBC. They are currently housed at the Museum of Anthropology.
Interior of [Ksan] village long house, Hazelton, BC
Part of Anthony Carter fonds
Image of the interior of the new Ksan Village longhouse at Hazelton, B.C. Carter describes it as "an outstanding example of the old culture of the west coast Indian people" on page 110 of his book Abundant Rivers.
Anthony Carter
Interior of [Ksan] village long house, Hazelton, BC
Part of Anthony Carter fonds
Image of the interior of the new Ksan Village longhouse at Hazelton, B.C. Carter describes it as "an outstanding example of the old culture of the west coast Indian people" on page 110 of his book Abundant Rivers.
Anthony Carter
Interior of [Ksan] village long house, Hazelton, BC
Part of Anthony Carter fonds
Image of the interior of the new Ksan Village longhouse at Hazelton, B.C. Carter describes it as "an outstanding example of the old culture of the west coast Indian people" on page 110 of his book Abundant Rivers.
Anthony Carter
Interview with Haida Elder Percy Brown
Part of MOA General Media collection
Item is an audio recording of an interview with Percy Brown, a Haida Elder and well-known singer, about birds, animals, fish, whaling and trapping terminology on Haida Gwaii, British Columbia. He is interviewed by two unidentified women. In the first half of the recording, he is asked questions about local birds, for example, partridges, puffins and sea gull, in order to determine Haida names for the birds and to determine if the birds are native to Haida Gwaii. He is asked similar questions about various types of vegetation, for example, plant roots. He also provides information about historic uses of trading and trapping in Haida Gwaii. Percy Brown is featured in the 1979 LP Songs from Masset, referenced in the publication Northern Haida Songs by John Enrico and Wendy Bross Stuart which is available in the MOA Reading Room, call number 12.7c HAI ENR.
Image depicts four totem poles standing in a cleared area. A structure is visible in the lower left corner of the image. The totem on the image's far left appears to be a pole carved by Tony Hunt (with Calvin Hunt, John Livingston, and Peter Knox), located in the Nimpkish Band Cemetery at Alert Bay.
Islander Lying at the Wharf Lax-Kw'alaams Fire Hall with Group in the Foregound
Part of Robert Reford fonds
Item is an image of a group posing by a totem pole and in front of a building. A ship is visible in the background. According to annotations, photograph was taken in Lax-Kw'alaams (previously known as Port Simpson and Fort Simpson) by the Fire Hall and the ship in the background is the Islander.
Part of Anthony Carter fonds
Portrait of Chief John L. George, of the Burrard tribe, holding a small carved wooden pole. He is seated outside.
Anthony Carter
Part of Anthony Carter fonds
Portrait of Chief John L. George, of the Burrard tribe, holding a small carved wooden pole. He is standing outside.
Anthony Carter
Part of MOA General Media collection
Japanese flute player at a public performance at the Museum of Anthropology.
Part of MOA General Media collection
Japanese theatre performance at the Museum of Anthropology.
The fonds consists of records Telfer created or received during the time that she spent as a teacher at residential schools. The materials donated by Telfer include correspondence, essays, schedules, programmes, ephemera notes and a significant number of photographs. These records are primarily related to the the Morley Residential School, the Coqualeetza Residential School and the Port Alberni Residential School, as well as the Nakoda (Stoney) Nation.
Jean Telfer