Bill Reid with Raven in MOA Rotunda
- 1-5-2 (27.2)-a035129
- Item
- [198-]
Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
31 resultados con objetos digitales Muestra los resultados con objetos digitales
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Correspondence with K'omoks First Nation
File contains copies of correspondence between David Cunningham and the K'omoks First Nation regarding a mask that was lent to a travelling exhibit titled "Written in the Earth".
Sin título
Bob Boyer: A Blanket Statement
Subseries consists of images used in the Museum Note No. 23 <i>Bob Boyer: A Blanket Statement</i>
File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs. Not all of the images in the file were used in the exhibit.
File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs.