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File consists of two buttons from the efforts in 1985 efforts to protect the South Moresby islands (Gwaii Haanas) of Haida Gwaii. One button has the text: "Protect Lyell island, Haida Country." The other is from the South Moresby Caravan, 1986. Protesters efforts led to the creation of the Gwaii Haanas National Park Reserve.

File includes one drawing and three photographs of MOA Object ID A50000 a, b, c, and d which is a totem pole separated into four parts. The images depict the object in its original form prior to separation. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing of MOA Object ID A50013 which is a house frontal totem pole. The contents of this file were used to create object labels for MOA's Great Hall.

File includes two photographs of MOA Object ID A50016 which is a house post. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing and five photographs of MOA Object ID A50018 and other surrounding totem poles. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one photograph of MOA Object ID A6985 which is a totem pole. The contents of this file were used to create object labels for MOA's Great Hall.

File consists of photographic prints depicting Haida cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50000 a, b, c, & d; A50001; A50002 a, b, & c; A50012; A50013; A50014 a & b; A50015 a & b; A50017; A50018; A50021; and A50045 in MOA's Great Hall.

File includes one photograph of MOA Object ID A9416 which is a bentwood chest. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one photograph of MOA Object ID A7103 which is a bentwood chest. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing and one photograph of MOA Object ID A50012 which is a house frontal totem pole. The photograph is annotated with handwritten information about its originating repository. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing and five photographs of MOA Object ID A50014 a and b which are a house totem pole that has been separated into two parts. The images depict the object in its original form prior to separation. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

File contains images of totem poles being removed from Anthony Island.

File contains images of totem poles being being crated and shipped by boat.

File consists of slides depicting a plaque, and various portraits, poles, and landscapes.

File contains images of Anthony Island.

File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."

File contains images of Anthony Island, and one of Wilson Duff doing archaeology.

File consists of slides depicting one of Minn Sjolseth's paintings ("Village Watch"), Sjolseth working on a painting, a slide bearing the caption "Queen Ch. Island group," and several slides captioned "Caspar at Ketchikan."

File consists of slides depicting Minn Sjolseth's paintings and labeled "Longhouse Posts Totem, Village Island, BC, 1974," "Kitwanga Village, 1967," "'Intermission' Kwakiutl, 1974," "Kwakiutl Totems, Alert Bay 1971,", "Last Totem of Skidegate QCI," "Native Cariboo Child, 1973," "Final Rest 1973," "Kwakiutl Totem 1973," "Dominic Charlie, Weather Prophet, Squamish Tribe, 1972," "Wilderness Watch, 1973," and "Basket Weaver." Many of these paintings depict individuals also photographed by Anthony Carter for his book publications.