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Subseries contains images of the unveiling of the club given to Captain Cook as well as research materials collected by McLennan on Captain Cook.

Sub-series consists of textual records related to the exhibit on the voyages of Captain Cook to Nootka Sound. Included is the paper “Encounter 1778: Drawings and Watercolours of Nootka Sound by John Webber” by Natalie MacFarlane, exhibit scripts, video scripts, correspondence, and loan forms for the Webber drawings.

This sub-series consists of records relating to the exhibition of the Carl Beam Exhibit at MOA. This exhibition, which was created by the National Gallery of Canada, was exhibited at UBC MOA from April 8th to May 29th 2010 and was curated by Greg Hill. The Exhibit displayed fifty works of Carl Beam, an artist of Anishinaabe (Ojibwa) heritage.

Files contain correspondence, exhibit floor plans, installation instructions from the National Gallery of Canada, photocopies of art works, exhibit captions, promotional materials, and notes for an opening night speech.

Sub-series consists of textual records, including general research and planning files, permission forms, interviews and biographic information used by Dr. Halpin to develop a number of CD-Rom projects on native artists. The records also include a print out of the “Button Robes” cd-rom project on first nations form of traditional dress and the iconography behind them, and photographs, slides, compact disks, videos, and tapes from the Dorothy Grant project.

File contains images of artifacts made of cedar, including baskets, hats, fishing tools, bentwood boxes and totem poles.

Subseries consists of material related to the production of Stewart's book Cedar: Tree of Life to the Northwest Coast Indians, first published in 1984.

Series consists of records relating to Elizabeth Johnson’s activities with the Classification Subgroup of CFI, Collections Access Group. Records include correspondence, memoranda, meeting minutes, preliminary decisions, reports, work summaries, Aboriginal Research Ethics Workshop: Research, Respect, Reciprocity, community consultation, principles to establish partnerships between First Peoples and Canadian Museums, principles of collection access, visible storage, exhibit ideas, terms of reference, Clothing and Textile Collection reports, and culturally sensitive objects identification list.

Subseries consists of images of artifacts and of the exhibit. Artifacts in this exhibit are part of the Laboratory of Archaeology (LOA) collection at UBC. For more information on the objects contact the LOA.

Subseries contains images showing textile art.

Subseries consists of records relating to the course on Chinese Painting taught by Elizabeth Johnson for the department of Art History at the University of British Columbia. The records in this subseries include notes, memoranda, exhibit proposals, correspondence, and annotated essays.

Subseries consists of records relating to the exhibit, “Chinese Peasant Textiles Art.” This exhibit was proposed by Elizabeth Johnson and carried out by students. Records include notes, excerpts from articles, visitor survey forms, handwritten notations, hand-drawn diagrams of display cases, proposals and budgets.

Contains the records and drafts used in the creation of the "Chinook Jargon Dictionary."

Subseries consists of images taken in the great hall at the Museum of Anthropology showing an exhibit titled Chronicles of Pride. Patricia Richardson Logie participated as an artist showing her portrait of Blanche MacDonald.

Sub-series consists of records relating to the exhibit Cindy Sherman meets Dzunuk'wa. This exhibit, co-curated by Duffek, was at the Satellite Gallery in 2014. The Satellite Gallery was an experimental exhibition space shared between Charles H. Scott Gallery (ECUAD), the Morris and Helen Belkin Art Gallery (UBC), the Museum of Anthropology (UBC), and the Presentation House Gallery. The gallery is closed as of June 2015.