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Subseries contains images of people working in the Museum of Anthropology collections installing the exhibit On Stony Ground.

Subseries contains images of the student exhibit titled <i>Show and Tell: The Story of the Big Mac Box</i> as well as negatives of the text panels for the exhibit. Students were part of the Anthropology 431 (Museum Principles and Methods) class.

Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.

Subseries contains one file of photographs taken by Edward Malin for the Quatsino source book. Additional material includes an inventory of all slides used in the sourcebooks.

Subseries contains images of a serigraph print created in 1971 by Joe David. The print is titled Ka-Ka-Win-Chealth (Transformation of white wolf into killer whale).

Subseries contains images of objects in the exhibit <i>The Copper That Came Down From Heaven</i>. Objects include masks and sculptures,

Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.

Subseries consists of the image used on the cover of the cookbook created by the Volunteer Assistants.

Subseries consists of images of artworks from Southern India.

Subseries contains images of a carved spindle whorl.

Subseries contains records related to the <i>Northwest Coast Architecture</i> exhibit held at UBC Robson Square in 2002.

Subseries consists of images that were selected by McLennan from Bill Holm Northwest Coast videodisk. Video disks were played in the museum. A copy of the original video disk that images are from is available in David Cunningham fonds (MOA Video 252).

Subseries contains images of objects shown in the exhibition titled Tupilaq: Greenland Spirit Carvings held at the Museum of Anthropology March 4th 1984. The carvings are by Anton Utuak.

Subseries contains images of objects and the exhibit.

Subseries contains a timeline developed by McLennan regarding a collection of Northwest coast carvings, baskets, blankets and tools collected and received by the museum through a bequest from the late Tom and Frances Richardson in preparation for an exhibit.

Subseries contains one file consisting of correspondence, budget reports, drawings of the cabinetry, and label designs. McLennan worked closely on this project as liaison to Bill Reid while the cases were being constructed to house Reid's jewelry pieces.

Subseries consists of images showing a statue and a ceremony table.

Subseries contains images of the opening ceremony for the exhibit titled <i>Eulachon: A Fish to Cure Humanity</i>.

Subseries contains a note from McLennan to “Moya, Ruth and David” proposing a new direction for his contributions to the <i>MOA 50th Anniversary</i> exhibit held in gallery 3.

Subseries consists of images taken in the great hall at the Museum of Anthropology showing an exhibit titled Chronicles of Pride. Patricia Richardson Logie participated as an artist showing her portrait of Blanche MacDonald.