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Subseries consists of images showing objects exhibited during the exhibit titled Museum Quality. This exhibit was purchased for the Museum’s permanent collection by the Anthropology Shop Volunteers. Photographs were taken by Moya Waters.

Subseries contains images showing artworks portraying people fishing.

File contains images of artwork showing people fishing.

Subseries contains two photographs related to the Dress and Identity exhibit.

File contains two images. The first image is a negative depicting two unidentified people dressed in traditional dress. The second image is of the back of an unidentified person looking at a museum description on a wall. There is a mannequin dressed in traditionnal dress placed to the left of the person.

Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.

File contains images of masks in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. The masks are described on the photographs to be "Chinese opera masks from Guizhou Province.

Subseries contains images of an artist.

Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.

Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.

Subseries contains images of objects in the exhibit <i>Sensibilities: Unsuspected Multicultural Harmonies</i>. Images show the exhibit displays and objects in the exhibit.

Subseries contains images showing the exhibit.

File contains images of the <i>Roy Vickers, "Beginnings"</i> exhibit.

Subseries consists of records relating to the <i>Through My Eyes</i> exhibit held at the Museum of Vancouver. The exhibit is a collaborative effort curated by 27 First Nations people of different Northwest Coast communities allowing them to “present their personal perspective” of their culture and its objects. McLennan was involved through managing the development, production and implementation of this collaborative effort. Records include photographs and slides of potential exhibit artifacts, media reviews, student paper reviews, exhibit project statements, transcripts of interviews done with First Nations artists, correspondence, consent forms for interviews and audio cassettes of the taped interviews which detail McLennan discussing various pieces of First Nations art with several artists.

File contains images of the artists featured in the Through My Eyes exhibit such as Jim Hart, Bob Dempsey, Bill Reid, Richard Sumner, William White, Isabell Rovidk, Doreen Jensen, Richard Hunt, and Terry Starr. There are also images of some of their pieces, also featured in this exhibit.

File mainly contains images of the artists involved in the <i>Through My Eyes</i>, such as Jim Hart and Robert Davidson and some of the artifacts featured in the exhibit. The textual records contain a copy of the file's content.

File contains copies of newspaper clippings and full editions of magazines that feature and/or reviews the <i>Through My Eyes</i> exhibit at MOA.

File contains a copy of the <i>Through my Eye</i> exhibit record, as well as copies of the exhibit's excerpts from the Vancouver Museum. There is also a postcard from the Vancouver Museum of a Tsimshian frontlet.

File contains correspondence between Bill McLennan and staff at the Vancouver Museum. In addition are letters sent to some of the artists involved with the exhibit.

Subseries contains images of carvings and a contact sheet showing an event in the great hall at the Museum of Anthropology.