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Item is an audio recording of the first of a two-part lecture by anthropologist Dr. Marjorie Halpin on the subject of Tsimshian artwork. The recording is Lecture #4 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Item is an audio recording of the second of a two-part lecture by anthropologist Dr. Marjorie Halpin on the subject of Tsimshian artwork. The recording is Lecture #7 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Item is an audio recording of a lecture by Haida artist Bill Reid, who discusses the transition in Northwest West Coast art from its primarily ceremonial function within First Nations society to the present day when, in his words, art is made almost exclusively for sale to the non-Indian community. The recording is Lecture #8 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Item is an audio recording of the first of a two-part lecture by Canadian anthropologist Dr. Peter Macnair about Haida and Kwakiutl art. The recording is Lecture #3 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Item is an audio recording of the second of a two-part lecture by Canadian anthropologist Dr. Peter Macnair about Haida and Kwakiutl art. The recording is Lecture #6 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Item is an audio recording of the first of a two-part lecture by Canadian anthropologist Dr. George MacDonald. The recording is Lecture #5 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Item is an audio recording of a lecture by Nuu-chah-nulth artist Joe David about traditional Nuu-chah-nulth songs. He also sings several songs in Nuu-chah-nulth to drum accompaniment. The recording was made as part of MOA’s Public Lectures series titled Thursdays at the Museum.

Item is an audio recording of a lecture by the Tsimshian artist Roy Vickers about the creation process pertaining to several of his artworks. The recording was made as part of MOA’s Special Sunday Programmes.

Item is a sound recording of an unidentified narrator providing the voice-over for an unidentified documentary. The narrator describes the techniques used by Mungo Martin as he provides a carving demonstration and also the acquisition by UBC of totem poles for Totem Park. The narrator also discusses the tools used by Mungo Martin, his methodology and symbolism used in his carvings. Mungo Martin does not speak during the recording.

Item is a sound recording made by Potterton Productions titled Potlach People, that features the sound of potlatch whistles followed by a short talk (approximately 1.5 minutes) by artist Robert Davidson. The rest of the recording is made-up of a soundscape featuring whistles and bird calls.

Item is an audio recording of an interview by Dr. Robin Ridington of the UBC Department of Anthropology with Dr. Marjorie Halpin and Robert Davidson as part of a Public Series event at MOA titled Art As Language. The Series was held in conjunction with the exhibition and publication titled Cycles: Graphic Art of Robert Davidson, curated by Dr. Marjorie Halpin.

[rr_0004t1a] Item is a recording of the opening of the exhibition Cycles: The Graphic Art of Robert Davidson, presented by Dr. Michael Ames. Speakers include exhibition curator Marjorie Halpin, Hilary Stewart, Nuu-chah-nulth artist Joe David, Cline Davidson (father of Robert Davidson) and Robert Davidson. Item dated dated October 30, 1979.

[rr_0004t3a] Item is a recording of a CBC Radio review of Hilary Stewart's book Robert Davidson, Haida printmaker and Audrey Hawthorne’s book Kwakiutl Art. Item dated November 12, 1979.

[rr_0004t4a] Item is a recording of Marjorie Halpin in discussion with Robert Davidson in the UBC MOA Theatre Gallery. The event was the first in a four part MOA Public Series event titled Art As Language, which was held in conjunction with the exhibition and publication of Cycles: Graphic Art of Robert Davidson, curated by Marjorie Helpin. Item dated November 11, 1979.

[rr_0004t2a] Item is a recording of Marjorie Halpin in discussion with Robert Davidson in the UBC MOA Theatre Gallery. The event was the second in a four part MOA Public Series event titled Art As Language, which was held in conjunction with the exhibition and publication of Cycles: Graphic Art of Robert Davidson, curated by Marjorie Helpin. Item dated November 11, 1979.

Artist Bill Reid discusses the Haida legend of the Raven and the First Men and his carving based on the legend which is on display at the UBC Museum of Anthropology.

Three photographs donated by carpenter who worked on the installation of The Raven and First Men at MOA. One photo shows him (Ernie Forsyth) next to the sculpture. The other two photos are from the sculpture unveiling with Prince Charles speaking. Photos have additional notes from donor on the back, and in the envelope that photos were donated in (saved with the photos).

Item is the second of a three part sound recording of an interview with Bill Reid about the origins of his carving The Raven and the First Men, located at MOA. The interviewer is unknown. During the interview he discusses how the sculpture was the result of a highly collaborative process involving other artists, his impression of the location of the carving in MOA, and his working relationship with Walter C. Koerner who commissioned the sculpture. He lastly discusses his representation and interpreation of the Haida legend that the carving is based on. This recording is part of Celebration of the Raven which documented the creation of the Raven and the First Men Sculpture, its relocation to the Museum of Anthropology, and the unveiling by the Prince of Wales in 1982.

Item is the first of a three part sound recording of an interview with Bill Reid about the origins of his carving The Raven and the First Men, located at MOA. The interviewer is unknown. During the interview Bill Reid discusses how the sculpture was the result of a highly collaborative process involving other artists, his impression of the location of the carving in MOA, and his working relationship with Walter C. Koerner who commissioned the sculpture. He lastly discusses his representation and interpretation of the Haida legend that the carving is based on. This recording is part of Celebration of the Raven which documented the creation of the Raven and the First Men Sculpture, its relocation to the Museum of Anthropology, and the unveiling by the Prince of Wales in 1982.