Image of an old gravehouse in Gitsegukla, with the totem pole known as Pole-in-the-Sand visible in the background. This image, or one similar to it, is printed on page 123 of Carter's book Abundant Rivers, with the caption: "This old grave house has fallen to decay leaving some of this long departed soul's worldly goods exposed once more to the light of day. It was customary among most of the Indian tribes to bury the prized possessions of an individual along with his remains. This ancient rite is no longer practised."
Item is a photo showing a man in Haida regalia dancing in front of a totem pole that is about to be raised. There is a large crowd behind him, watching. There is anther totem pole and a long house in the background.
Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.
Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.
Item is a print showing Jim Hart, Haida carver, working on a copy of an Old Masset pole raised on the ground of UBC Museum of Anthropology on 2 October 1982.
Image depicts a short totem with a bear at the base, an uncarved portion, and a smaller animal at the top. The bear is noteworthy because of its realistic style.
Image depicts several totem poles standing in a row. Read's pencil notes suggest that these are the Poles of Arteeh at Kitwanga .The pole second to the right is called the Pole of the Mountain Lion. See also items a034845 and a034846.
Image depicts a dirt road with several totem poles situated along the roadside. The poles are viewed from a distance, making it hard to identify any crests on the poles. Several wooden structures can be seen near the poles and mountains are visible in the distance.
Image depicts a totem pole with an inscription indicating that it is in memorial to a Chief who died. The pole depicts two similarly carved creatures that may be owls. Several buildings are visible behind the pole and mountains can be seen in the distance.
Image depicts a totem pole that features a human figure at the base and three other human figures, aligned horizontally across the pole. Other wooden structures can be seen in the background. Read's note indicates that a possible explanation for this pole can be found in Barbeau, p. 149, which suggests that the three humans carved in this pole may be Hrpugweelan, a crest of Ksemgitgeegyaenih, a Larhsail chief.
Image depicts a totem pole from Gitsegyukla (Skeena Crossing). Read`s notes call this the Pole of Mawlarhen. Depictions of frogs and an owl are visible. See also item a03426 for another view of this pole.
Image depicts three totem poles, standing in an open area. Reads note under this photo indicates that the pole on the left may by a Snag-of-the-Sand-Bar pole from the House of Chief Skogum Laxhe. The pole on the right may be Chief Laxhes Hat-of-Tsagyem-hanak Pole. See also item a034837 for a closeup of the Snag-of-the-Sand-Bar pole.
Image depicts a close up showing the details of the lower figures on a totem pole, probably the Snag-of-the-Sand-Bar pole from the House of Chief Skogum Laxhe. The bottom figure is is the monster Hagwelawrh, who lives under the water and causes the Sand-Bar to raise with his back. See also image a034836 for another view of this pole.
Image depicts a row of totem poles standing along the side of a dirt road. Based on Read`s diary and the figures on these poles, this photo may have been taken in Kitwanga, and the pole on the far left may be the Dog Salmon Pole.
