Zone du titre et de la mention de responsabilité
Titre propre
Langmann Family Photograph collection
Dénomination générale des documents
- Graphic material
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
- Source of title proper: Title based on name of collector.
Niveau de description
Collection
Cote
Mention d'édition
Mentions de responsabilité relatives à l'édition
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
[186-?]-[191-?] (Production)
Zone de description matérielle
Description matérielle
6 albums
2 photographs (framed)
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Historique de la conservation
Portée et contenu
Collection consists of five albums of photos from Meiji period Japan including a few photos from Scotland, one album of photos from China, and two lacquer-framed photographs. It consists mostly of albumen hand-coloured Japanese photographs. These Japanese photographs belong to the genre known as souvenir photography or Yokohama photography. The subject of these photographs in this collection echoed those found in the Japanese ukiyo-e prints of the so-called “floating-world” of the late Edo Period, from around 1780 until the 1860s. The delicate hand colouring of the albumen silver prints is one of the characteristics of photographs of Japan from this period.
There were mainly two media to disseminate souvenir photos from Yokohama during Meiji period (1868 –1912): photo prints and lantern slides (see the James Davidson collection), but other materials were also used. These hand tinted photo prints were usually bound in albums with lacquer covers lavishly decorated in makie (蒔絵), a technique of applying adhesive metal such as gold and silver or colour powder in soft lacquer to create designs.
Zone des notes
État de conservation
Source immédiate d'acquisition
Donated by Uno Langmann in November 2018. Collection was donated alongside a copy of The Great Earthquake in Japan... 1891 (Kobe, 1892) (MOA Reading Room Call No. 11.6 MIL 1892 rare). This book contains images of the aftermath of the 1891 Mino–Owari earthquake in Japan. The book is by John Milne and W.K. Burton, and most of these photographs were taken by William Kinnimond Burton, a Scottish engineer and photographer who worked in Japan.
Classement
Langue des documents
Écriture des documents
Localisation des originaux
Disponibilité d'autres formats
Restrictions d'accès
Délais d'utilisation, de reproduction et de publication
Consult Archivist for details.
Instruments de recherche
Générer l'instrument de recherche
Éléments associés
Accruals
Identifiant(s) alternatif(s)
Zone du numéro normalisé
Numéro normalisé
Mots-clés
Mots-clés - Sujets
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle
Identifiant de la description du document
Identifiant du service d'archives
Règles ou conventions
Statut
Niveau de détail
Dates de production, de révision et de suppression
Updated by Devon Hayley Farrell on 2022-03-16
Langue de la description
Langage d'écriture de la description
Sources
Odo, David. 2015. The Journey of “a Good Type”: From artistry to ethnography in early Japanese photographs. Cambridge, Massachusetts: Peabody Museum Press, Harvard University.
Wakita, Mio. 2013. Staging Desires: Japanese Femininity in Kusakabe Kimbei’s Nineteenth-Century Souvenir Photography, Berlin: Dietrich Reimer Verlag GmbH.
https://library.harvard.edu/sites/default/files/static/collections/epj/photographers.html