Collection 154 - Li Family Cantonese Opera collection

Title and statement of responsibility area

Title proper

Li Family Cantonese Opera collection

General material designation

  • Sound recording

  • Textual record

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Collection

Reference code

154

Edition statement

Edition statement of responsibility

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • [197-] - [199-] (Creation)

Physical description area

Physical description

ca. 1,000 pages textual records
130 audio cassettes

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Custodial history

This material was collected by Kitty and Stephen Li's father. He acquired it from Hong Kong between 1980 and 2000. Some of the items were collected during his travels around mainland China. Mr. Li was good friends with Master Tao Wong, who donated his Cantonese Opera costume collection to MOA.

Scope and content

Collection includes 130 audio cassette tapes of Cantonese opera recordings and over 1,000 Cantonese opera scripts, many of which are in the gongche musical notation (工尺譜). All of these materials are well preserved by the donor.

The cassette tapes were commercially released in Hong Kong and Guangzhou, China from the 1970s through the 1990s. The scripts were not published, but are presented in a textual format that supplements the audio medium of the cassette tapes. The scripts are also presented in a notation widely circulated among professional performers, amateur singers, and musicians in twentieth-century community singing clubs (qushe曲社) in Guangdong, Hong Kong, and similar Cantonese opera associations in diaspora transpacific Chinese communities, from Southeast Asia to Melbourne, Havana, Los Angeles, San Francisco, New York, Chicago, to Vancouver.

This donation complements MOA’s holdings of Cantonese opera, notably the Cantonese Opera Collection of about 800 stage objects, which is the largest known collection anywhere of early-twentieth century Cantonese opera stage materials. MOA also houses other archival materials, mainly textual records, photographs, and video recordings. The additional digitized archival materials here position the Museum of Anthropology at UBC as one of the largest and richest collections of Cantonese opera outside China.

A detailed inventory of this collection is in progress. Contact archives for more information.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Language of material

    Script of material

      Location of originals

      Availability of other formats

      All sheet music has been digitized, and the digitization of audio cassettes is in progress. Contact archives for access.

      Restrictions on access

      Terms governing use, reproduction, and publication

      Finding aids

      Associated materials

      Related materials

      Accruals

      No accruals are expected.

      Alternative identifier(s)

      Standard number

      Standard number

      Access points

      Subject access points

      Place access points

      Name access points

      Genre access points

      Control area

      Description record identifier

      Institution identifier

      Rules or conventions

      Status

      Level of detail

      Dates of creation, revision and deletion

      Language of description

        Script of description

          Sources

          Accession area