Fonds 69 - Michael Kew fonds (private records)

Title and statement of responsibility area

Title proper

Michael Kew fonds (private records)

General material designation

    Parallel title

    Other title information

    Title statements of responsibility

    Title notes

    • Source of title proper: Title based on provenance of fonds

    Level of description

    Fonds

    Reference code

    69

    Edition statement

    Edition statement of responsibility

    Statement of scale (cartographic)

    Statement of projection (cartographic)

    Statement of coordinates (cartographic)

    Statement of scale (architectural)

    Issuing jurisdiction and denomination (philatelic)

    Dates of creation area

    Date(s)

    • [195-] - 1997 (Creation)
      Creation
      Michael Kew

    Physical description area

    Physical description

    2468 slides : col.
    0.03 m of textual records
    1 audio cassette
    1 floppy diskette.

    Publisher's series area

    Title proper of publisher's series

    Parallel titles of publisher's series

    Other title information of publisher's series

    Statement of responsibility relating to publisher's series

    Numbering within publisher's series

    Note on publisher's series

    Archival description area

    Name of creator

    (1932 -)

    Biographical history

    Dr. J.E. Michael Kew was born in Quesnel, British Columbia in 1932. Kew received his B.A. at the University of British Columbia in 1955 and was appointed the Assistant Curator of Anthropology at the Provincial Museum in Victoria from 1956-1959. Following a four-year period in Saskatchewan, where he was employed as a Community Development Officer at the Department of Natural Resources and a Research Assistant in Anthropology at the University of Saskatchewan, Kew returned to the University of British Columbia in 1965 as Instructor of Anthropology. During his appointment as Visiting Assistant Professor of Anthropology, Kew obtained his Ph.D. at the University of Washington, Seattle in 1970.

    As part of his curatorial responsibilities at the Museum of Anthropology (MOA), Dr. Kew curated a special exhibition of Central Coast Salish art objects in 1980 entitled Visions of Power, Symbols of Wealth: Central Coast Salish Sculpture and Engraving. In preparation for the exhibition, Dr. Kew was funded by a grant from SSHRC in 1979 to visit North American museums housing Central Coast Salish sculptural objects. The objective of his travels was to create a collection of images and documentation of the sculptures found in the various museums. The majority of the objects exhibited in Visions of Power, Symbols of Wealth came from the collections of the former National Museum of Canada and the Museum of the American Indian. The collections of the British Columbia Provincial Museum, Royal Ontario Museum, American Museum of Natural History, Field Museum of Natural History, Brooklyn Art Museum, Thomas Burke Memorial Washing State Museum and the British Museum are also represented.

    At the Museum of Anthropology, Michael Kew worked as Curator of Ethnology from 1977 to 1979. He curated a MOA exhibit on central Coast Salish three-dimensional art ca. 1993-1997. He also served as chair of the Ways and Means Committee beginning in 1993 when the committee was established.

    Custodial history

    Scope and content

    The fonds consists primarily of slides as well as other materials generated in the course of Dr. Kew’s teaching and studies of the Northwest Coast from 1971-1996 as well as from the exhibit he curated on central Coast Salish three-dimensional art.

    There is one series in the fonds:

    1. Teaching and Research

    Notes area

    Physical condition

    Immediate source of acquisition

    The material was donated to the archives by Dr. Kew.

    Arrangement

    The slides are arranged in the order established by the creator. They are numbered consecutively 1-2111, however, some slides are missing from the sequence.

    Language of material

      Script of material

        Location of originals

        Availability of other formats

        Some of the slides have been scanned. Consult archivist for access.

        Restrictions on access

        Terms governing use, reproduction, and publication

        Restrictions on copyright, use and reproduction apply as follows:

        Slide No.
        273, 274, 275: spirit dance, Kuper Island; not to be reproduced or exhibited
        409, 410: rattles; not to be reproduced or exhibited without consent of owners Nathan Kew and James Kew, Musqueam
        453, 454: new dancer; not to be reproduced or exhibited
        455, 456, 457: ritual bathing of new dancer; not to be reproduced or exhibited
        777-788, 1289: various views of rattles; not to be reproduced or exhibited without consent of owners Nathan Kew and James Kew, Musqueam

        Finding aids

        A computerized inventory of the teaching slides is available.

        Associated materials

        See the Michael Kew fonds (curator records) for material related to Central Coast Salish art exhibition.

        Related materials

        Accruals

        There may be further accruals.

        General note

        There are several duplicates of various slides located in the Archives case files.

        Alpha-numeric designations

        BCAUL control number: UBCMOA-158

        Alpha-numeric designations

        The accession number for the fonds is 1999-03.

        Alternative identifier(s)

        Standard number

        Standard number

        Access points

        Subject access points

        Place access points

        Name access points

        Genre access points

        Control area

        Description record identifier

        Institution identifier

        Rules or conventions

        Status

        Level of detail

        Dates of creation, revision and deletion

        Created December 8, 2015

        Language of description

          Script of description

            Sources

            Accession area