Title and statement of responsibility area
Title proper
General material designation
Parallel title
Other title information
Title statements of responsibility
Title notes
Level of description
Reference code
Edition statement
Edition statement of responsibility
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
-
[195?] (Creation)
Physical description area
Physical description
138 photographs : 138 b&w prints (3x3 – 5x7) ; 93 negatives : 82 35mm negatives ; 11 copy negatives
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Name of creator
Custodial history
Scope and content
Primarily photographs used in Marius Barbeau’s book “Totem Poles” (Vols. 1 and 2), published in 1950 -1951. Although these are copies of published images, they have been retained for reference purposes. The sub-series also contains some unidentified photographs. These photographs were accessioned into the fonds in 2002. It is unclear how Duff acquired these photographs.
Notes area
Physical condition
The majority of the prints have annotations on the back.
Immediate source of acquisition
Arrangement
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Terms governing use, reproduction, and publication
Consult archivist. It is unclear if the museum has rights to reproduce the images from the the Photographs II sub-series. The majority of the photographs are stamped “Hickey + Robertson Photography” and include an address in Houston, Texas. Other photographs are stamped as copied from the National Museum of Canada. Researchers are therefore required to contact the photography company (or National Museum) for permission to reproduce these images.