Includes images of petroglyphs in Washington State was well as images of landscapes, plants, and animals.

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia, the west coast of the United States of America, Scotland, Russia, and Guyana. According to annotations, some of the photographs were taken by Dr. Akladakov (?) and Arthur Goodland.

Audio recording of four Quileute-language workbooks with vocabulary pronunciations provided by Lillian Pullen. Side A contains workbooks #3 (titled "There's a deer") and #4 (titled "There are lots of birds").

Workbook 3 contains the names of animals, including a Quileute-language versions of "Mary had a little lamb" and "Pussycat pussycat, where have you been", sung by Pullen and Jay Powell at various speeds starting at 7m 40s.

Workbook 4, starting at 10m 45s, focuses on names of birds.

Side B contains workbooks #1 (titled "Good weather") and #2 (titled "Cleaning fish"). Workbook 1 provides vocabulary for speaking about the weather. Workbook 2 includes vocabulary that describes how to process fish.

Item consists of an interview from July 4, 1970 with “Big” Bill Penn and Fred "Woody" Woodruff on the subject of Quileute place names. File is a re-recording. Powell notes that many of the names had previously been published by himself and Penn in the Pacific Northwest Quarterly.

Tape 6 of re-recordings of Quileute songs, originally recorded on wax cylinders by Leo J. Frachtenberg. Re-recording occurred as part of the dissemination phase of the US federal cylinder project. Recording indicates the original cylinder numbers for each song from the Frachtenberg collection, as well other reference information related to material sources. Contextual information about songs has not been provided.

Side A includes cylinders 71-72, 74, and 78-80 from the Frachtenberg collection; Side B includes cylinders 65-70. No mention is made of cylinders 73 or 75-77. Based on commentary provided with other re-recordings in this set, it is possible that these cylinders are broken.

Tape 5 of re-recordings of Quileute songs, originally recorded on wax cylinders by Leo J. Frachtenberg. Re-recording occurred as part of the dissemination phase of the US federal cylinder project. Recording indicates the original cylinder numbers for each song from the Frachtenberg collection, as well other reference information related to material sources. Contextual information about songs has not been provided.

Side A includes cylinders 49- 52 and 55-56 from the Frachtenberg collection; Side B includes cylinders 57-58, 60-61, and 63-64. Commentary on the re-recording indicates that cylinders 53-54, 59, and 62 are broken.

Tape 4 of re-recordings of Quileute songs, originally recorded on wax cylinders by Leo J. Frachtenberg. Re-recording occurred as part of the dissemination phase of the US federal cylinder project. Recording indicates the original cylinder numbers for each song from the Frachtenberg collection, as well other reference information related to material sources. Contextual information about songs has not been provided.

Side A includes cylinders 36-41 from the Frachtenberg collection; Side B includes cylinders 42 and 44-48. Commentary on the re-recording indicates that cylinder 43 is broken.

Tape 3 of re-recordings of Quileute songs, originally recorded on wax cylinders by Leo J. Frachtenberg. Re-recording occurred as part of the dissemination phase of the US federal cylinder project. Recording indicates the original cylinder numbers for each song from the Frachtenberg collection, as well other reference information related to material sources. Contextual information about songs has not been provided.

Side A includes cylinders 24-29 from the Frachtenberg collection; Side B includes cylinders 30-35.

Tape 2 of re-recordings of Quileute songs, originally recorded on wax cylinders by Leo J. Frachtenberg. Re-recording occurred as part of the dissemination phase of the US federal cylinder project. Recording indicates the original cylinder numbers for each song from the Frachtenberg collection, as well other reference information related to material sources. Contextual information about songs has not been provided.

Side A includes cylinders 13-17 from the Frachtenberg collection; Side B includes cylinders 18-23.

Tape 1 of re-recordings of Quileute songs originally recorded on wax cylinders by Leo J. Frachtenberg. Re-recording occurred as part of the dissemination phase of the US federal cylinder project. Recording indicates the original cylinder numbers for each song from the Frachtenberg collection, as well other reference information related to material sources. Contextual information about songs has not been provided.

Side A includes cylinders 1-6 from the Frachtenberg collection; Side B includes cylinders 7-12.

Powell first went to La Push, the Quileute village in Washington State, in 1969 to complete research for his PhD dissertation Proto-Chimakuan: A Reconstruction. While he documented the language he also developed relationships with the local families. During Jensen’s initial visit to La Push, the couple began their first collaborative work with the Quileute, as Jensen photographed the community for eventual use in a language book.

Powell completed his dissertation in 1974, but the language revival projects had only just begun for Jensen and Powell. Over the next 36 years, they spent time in La Push every year, sometimes travelling down for a weekend, and sometimes staying for a month or two. The results of these regular visits are a number of general linguistic books for adults and children; Big Books on culture specific themes to be used in schools; teaching materials to be used by Quileute language and culture teachers; cultural resource studies; dictionaries; and translated stories and resources for smaller language revitalization projects. The records in this series consist of Powell’s research notes; drafts and outlines for the language books; photographs documenting the community; Jensen’s photographs taken of particular subjects for use in language and culture books; audio and visual records of events, stories, and cultural activities.

Jensen and Powell have a continuing relationship with the Quileute and are currently involved in an ongoing language revitalization project. Another dictionary is due to be published in 2009.

The series consists of eleven sub-series:
A. Research
B. Field notes
C. Administrative records
D. Publications
E. Village life photographs
F. Modern basket weavers’ photographs
G. Counting book photographs
H. Historical photographs and artefacts
I. Photographs of La Push folks
J. Audio recordings
K. Quinault materials

Series contains graphic materials created by E. F. Meade, L. M. Greene, Dr. Akladakov (?), Arthur Goodland, Louis Poitras, Dick Pattinson, C. Gades, Dr. Foskett, and Morley Raven, and collected by E. F. Meade while documenting and studying petroglyphs and pictographs in the West Coast.
Series also contains some graphic materials documenting petroglyphs outside of Canada, including the United States of America, Russia, Scotland, and Guyana.

Item is an image of a rock on a pedestal with trees in the background. According to annotations, image was taken in Umatilla, Columbia river. Original slide includes number 8.

Item is an image of a petroglyph.

Item is an image of petroglyphs. Original slide includes number 34.

Series consists of photographs documenting events in various communities throughout British Columbia and Washington State. These include community photographs in Mt. Currie; the Salish Linguistic Conference in Oman, Washington State; a Robert Davidson Pole Raising; coverage of NWC artifacts at the National Museum of Copenhagen in Denmark; coverage of 1992 Nuxalk Potlatch at Bella Coola for Canadian Museum of Civilization; and photographs of a Haida bentwood box.

Between working on language and education projects, Jensen was often hired by communities to document important events, such as pole-raisings, conferences and potlatches. This series consists of the photographs taken at those events.

Images of petroglyphs, flowers, and animals.

Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.