Title and statement of responsibility area
Amazonia: The Rights of Nature
General material designation
Other title information
Title statements of responsibility
- Source of title proper: Title based on contents of the sub-series.
Level of description
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
[201-] - 2018 (Creation)
Physical description area
15.5 cm of textual and graphic materials
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Name of creator
Scope and content
Sub-series consists of records related to the exhibition "Amazonia: The Rights of Nature," whichwas on display at the Museum of Anthropology from March 10, 2017 - January 28, 2018. Porto was the curator for this exhibition.
The exhibition was described on the Museum of Anthropology's website as follows:
"Amazonia: The Rights of Nature explores the creative ideas that inspire Indigenous resistance to threats facing the world’s largest rainforest.
The exhibition features Amazonian basketry, textiles, carvings, feather works and ceramics both of everyday and of ceremonial use, representing Indigenous, Maroon and white settler communities. Today, these groups confront threats caused by political violence, mining, oil and gas exploration, industrial agriculture, forest fires and hydroelectric plants. Challenging visitors to examine their own notions towards holistic well-being, the exhibition covers more than 100 years of unsuspected relationships between Vancouver and Amazonian peoples, ideas and their struggles.
Amazonia departs from a social philosophy, known in Spanish as “buen vivir,” in which the concept of a good life proposes a holistic approach to development that intertwines notions of unity, equality, dignity, reciprocity, social and gender equality. The concept aligns directly with value systems intrinsic to Indigenous South American cultures, and serves as a rallying cry to move beyond Western ideals and practices of development and progress largely measured by profit.
The objects displayed in Amazonia have been exclusively assembled from MOA’s collection of acquisitions and donations. Included amongst the exhibition are items from Frank Burnett’s founding collection, donated to the University of British Columbia in 1927, ensuring the exhibition spans more than 100 years of exchange between Vancouver and Amazonian peoples.
Taking over MOA’s O’Brian Gallery, the exhibit’s items are primarily composed of simple, identifiable elements: vegetal fibers, wood, animal parts, clay or feathers. These uncomplicated components are transformed into extremely sophisticated and intricate textiles, basketry, ceramics, feather works and jewelry, displaying the knowledge and craftsmanship of some of the groups who reside in the region. Taken in its entirety, the exhibition promises to offer a revealing window into one of the world’s more culturally, socially and linguistically diverse regions, as well as a new framework for addressing some of the globe’s most pressing environmental challenges."
Immediate source of acquisition
The arrangement that the records had when they arrived at the archives has been maintained. Supplied file titles were created to make the material more accessible.
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Terms governing use, reproduction, and publication
Standard number area
Place access points
Name access points
Genre access points
Description record identifier
Rules or conventions
Level of detail
Dates of creation, revision and deletion
Created 2021-11-16 by Devon Hayley Farrell