Image depicts a small-scale totem pole in front of a door. The pole depicts several figures, some human and some seated. See also items a034476 - a034482 for other depictions of this pole.

Image depicts a midsection closeup of a small-scale totem pole in front of a door. Visible are two figures, one possibly a seated human perched on top of what may be a Thunderbird. Each figure seems to be sitting in a corner. See items a034476 - a034482 for other views of this pole.

Image depicts a side view of a small-scale totem pole in front of a door. The top two figures have long beaks, a third figure has wings but no visible beak, and a human figure is seated at the bottom. See items a034476 - a034482 for other views of this pole.

Image depicts a side/front view of a small-scale totem pole in front of a door. The top two figures have long beaks, a third figure has a beak that is bent downward, and a human figure is seated at the bottom. Each winged figure is protecting a smaller figure. Two are possibly human and the third appears to be a frog. See items a034476 - a034482 for other views of this pole.

Image depicts a side view of the top of an unpainted carving featuring what may be a Thunderbird. Views of this carving can be seen in items a034483 - a034486.

Image depicts a side view of the base of a totem pole. From this perspective one possibly human figure can be seen. The figure at the base of the pole appears to have only a head and be wearing a mask.. Views of this pole can be seen in items a034487 - a034492.

Image depicts a completed totem pole wrapped in plastic and enclosed in a wooden packing crate.

Image depicts a young girl posed next to a log that has been rough cut for carving. She holds a tool of some sort.

Image depicts Doug Cranmer in the early stages of carving a pole.

Image depicts a pole that has been partially carved. A carver, probably Doug Cranmer, uses an adze.

Image depicts painting a totem pole. A woman paints in the foreground; Doug Cranmer stands at the other end of the pole.

Image depicts Doug Cranmer taking a break from carving. He sits on a wooden stool with his chain saw at his feet.

Image depicts a carver working on a partially carved pole. The pole is lying on the ground outside.

Item is a hand-tinted glass lantern slide of a carver with a feast dish in front of a house. There are five children and one adult in the background. Based on the original order of the collection, photograph might have been taken in Alert Bay.

Two totem poles standing in Totem Park. The pole on the viewer's right was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Image depicts a close up of a totem pole, wrapped in plastic and encased in a packing crate.

Image depicts a carver, possibly Godfrey Hunt, working on a partially carved totem pole. Depicted images include a Thunderbird and a figure holding a copper. This may be the St. Catherines. Ontario Centennial Confederation pole, carved in 1967.