Série organique 01 - Exhibitions

Zone du titre et de la mention de responsabilité

Titre propre

Exhibitions

Dénomination générale des documents

    Titre parallèle

    Compléments du titre

    Mentions de responsabilité du titre

    Notes du titre

    Niveau de description

    Série organique

    Cote

    01

    Mention d'édition

    Mentions de responsabilité relatives à l'édition

    Mention d'échelle (cartographique)

    Mention de projection (cartographique)

    Mention des coordonnées (cartographiques)

    Mention d'échelle (architecturale)

    Juridiction responsable et dénomination (philatélique)

    Zone des dates de production

    Date(s)

    • 2012 - 2018 (Production)
      Production
      Nuno Porto

    Zone de description matérielle

    Description matérielle

    18 cm of textual and graphic materials

    Zone de la collection

    Titre propre de la collection

    Titres parallèles de la collection

    Compléments du titre de la collection

    Mention de responsabilité relative à la collection

    Numérotation à l'intérieur de la collection

    Note sur la collection

    Zone de la description archivistique

    Nom du producteur

    ([19-?] -)

    Notice biographique

    Nuno Porto is originally from Portugal. He was trained has a social anthropologist. He did long term fieldwork in Central Portugal in the early 1990s, studying the relationships between literacy skills acquisition and gendered cultural knowledges. The coexistence of literate and oral rationalities in rural Portugal fueled interests in visual culture and on how religious experience is mediated by visual and material culture. The universe of visual theory and material culture studies was to become the center of his subsequent work related to museums. His PhD dissertation explored the articulation of colonialism, science, and museum culture, and how these merged in the co-development of the Dundo Museum in Northeast of Angola and of its proprietor, the Diamonds Company of Angola. This dissertation received the Calouste Gulbenkian Foundation award for the Social and Human Sciences Thesis and was published by the same foundation in 2009.

    Between 2006 and 2012 he integrated the Commission for the Re-opening of the Dundo Museum, led by the Ministry of Culture of Angola that successfully concluded its works in 2012. During this period he also led a team that developed and implemented the website on the archival materials of the Diamonds Company of Angola held at the University of Coimbra, www.diamangdigital.net. He was also a member of the research team for the project ‘Bearing Waters’ led by Lisbon sculptor Virginia Fróis, on the renewal of traditional Cape Verdean women ceramics.

    Between 1991 and 2011 he taught at the University of Coimbra, Portugal, on subjects related to theory in social anthropology, material culture, critical museology, visual culture, photography and African studies. His work has been published in four different languages in eight different countries. He coordinated the Graduate Program in Social and Cultural Anthropology between 2006 and 2011, and also taught in the Graduate Program on Design and Multimedia. He acted as director of the Museum of Anthropology at the University of Coimbra between 2002 and 2006, where his team developed a series of temporary exhibitions based on the notion of ethnographic installation.

    In 2013 he was Invited Professor at the Post Graduate Program in Social Memory at the Federal University of the State of Rio de Janeiro - UNIRIO, in Brazil.

    Porto currently serves as curator for Africa and South America at the University of British Columbia (UBC) Museum of Anthropology. He has been at UBC since 2012.

    Historique de la conservation

    Portée et contenu

    Series consists of records related to exhibitions in which Porto was involved. Material includes planning documents, correspondence, meeting minutes, research, and promotional material.

    Zone des notes

    État de conservation

    Source immédiate d'acquisition

    Classement

    Series is arranged into sub-series, with a sub-series for each exhibition.

    Langue des documents

      Écriture des documents

        Localisation des originaux

        Disponibilité d'autres formats

        Restrictions d'accès

        Délais d'utilisation, de reproduction et de publication

        Instruments de recherche

        Éléments associés

        Éléments associés

        Accroissements

        Identifiant(s) alternatif(s)

        Numéro normalisé

        Numéro normalisé

        Mots-clés

        Mots-clés - Lieux

        Mots-clés - Noms

        Mots-clés - Genre

        Zone du contrôle

        Identifiant de la description du document

        Identifiant du service d'archives

        Règles ou conventions

        Statut

        Niveau de détail

        Dates de production, de révision et de suppression

        Created April 2016

        Langue de la description

          Langage d'écriture de la description

            Sources

            Zone des entrées