Affichage de 2362 résultats

description archivistique
Museum of Anthropology Anglais
Aperçu avant impression Hierarchy Affichage :

1032 résultats avec objets numériques Afficher les résultats avec des objets numériques

Heaven, Hell and Somewhere In Between: Portuguese Popular Art

Subseries consists of records related to the graphic design for the Heaven, Hell and Somewhere in Between exhibit, on display at the Museum of Anthropology May 12 - October 12, 2015. The exhibit was curated by Dr. Anthony Shelton (MOA Director).

Herb Watson fonds

  • 107
  • Fonds
  • 1975 - 1992

Fonds consists of records generated by Watson while working as an exhibit designer at the Museum of Anthropology. Material includes records gernated during the preparation and documentation of exhibitions at the Museum, as well as records generated for two additional design projects undertaken by Watson during his tenure at MOA: the design of textile storage and display unit, 1980-1984; and the design of an extension to the west wing of MOA, 1988-1990.

Fonds is organized into two series:
1 - Museum design
2 - Exhibition design

See attached pdf document for series descriptions and file list.

Sans titre

Heredity: Heredity Chiefs of the Haida

Subseries consists of records relating to the exhibit “Heredity: Hereditary Chiefs of the Haida.” This photo-based exhibit was installed at the Museum of Anthropology from April 28, 1998 to February 21, 1999. Records include: drafts and final artist statement, artifact list, handwritten notes, photographic slides, pencil and ink diagrams, correspondence, memoranda, publications, announcements and press releases, exhibition description, agenda, release forms for photographs, exhibit budget, computer exhibit diagrams, and exhibit proposals.

Hidden dimensions

Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.

High Slack: An Installation by Judith Williams

This exhibit by Vancouver Artist and UBC Fine Arts Professor Judith Williams included installations of paintings, sculptures, photographs and bookworks at MOA as a series of proposals for future directions in our relations with “other.”

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