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Audio of Bomboret, Chau Maus, latch grn
"Bomboret" refers to Bumburet valley, Chitral District, Khyber Pakhtunkhwa province, Pakistan.

Audio of Chau Maus 1976, Chanja Chiōpă.
Side 1 - this entire side records the climax of the winter solstice festival, when the Prophet Messenger God, Balumein is sent back to Nuristan until next year. See Field Note Book# 1 pp.8-15 for translations.

Audio of Bamboret, Lawak Birik, Daok Tatu. "Bomboret" refers to Bumburet valley, Chitral District, Khyber Pakhtunkhwa province, Pakistan.

Side 1 - dance songs by women vocalists, recorded on the day after the climax of the winter solstice festival. This is a day of mime, play, & role reversals (men in.women's dress and vice versa). See Field Book # 1 pp 85-86 for translations.

Audio of Krakal funeral, #299.

Audio of Rombour Chutiyak Joeshi Daginei, Rombour Uchow. 4th of 4 tapes.

Side 1 - The final dance celebrations of the Spring festival Zoeshi (Zoe-shi) in Rombour Valley. Includes the important song Daginai (Da-gin-ai), which can be found at digital counter reading [224]. For translations of this song, see Field Book #3 pp. 129-133. Tape is blank from [236] on.

Audio of Bomboret Joeshi.

Side 1 - myth of how the Kalash god Mahaneo won Bomboret Valley over the god Balumein. See Field Book #3 pp. 31-36 for translations.
Side 2 - examples of women's voices and fast dance music. See Field Book #3 pp 41-46 for translations.

Audio of Bomboret Rat Nat. "Bomboret" refers to Bumburet valley, Chitral District, Khyber Pakhtunkhwa province, Pakistan.

Audio of Rombour Uchow.

Side 1 - love song by Kush Hawaz at digital counter [350]. Nawaz was the most talented orator in all 3 Kalash Valleys (Balereh clan, Balanguru village, Rombour Valley). See Field Note Book #4 pp. 57 for translation.

Tape #C of Rombour Uchow, from set of 4 tapes.
Side #1 only.

Tape #A, first in set of 4 tapes.
Side 1 - The first song is the Kalash women's theme song for the “bira mor" "sacred male goat sacrifice merit feast". For translations see Book #5 pp. 213. Also on Side 1, 3/4s of this side is a discussion between the powerful men of Rombour Valley deciding who should be presented gifts at the feast; see Field Book #5 pp. 221-229 and Book #6 pp. 18-35 for translations.

Side 1- Kalash flute music by Rahim Bek, Drame-se clan, Rombour.

Side 1 - first 4 songs are love songs sung by a woman in the epic style called drazaiylik (dra-zaiy-lik, aka drazeiylik), which focus on social history. Followed by "Khutabar." See Field Book #3 pp. 174-176 for translations.

Audio of discussion on graze land (land grazing) and conversion to Islam.
From cassette label: 1/2 discussion lost - so some of side A goes with side B

Includes documentation from Gillian Darling Kovanic related to audio tapes in this collection.