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Image of restoration work on a totem pole at the Museum of Anthropology at UBC.

Image of totem poles at the Museum of Anthropology at UBC

Image of a gravestone with a cross on it, located in a tall grassy area. The upper part of the totem pole is visible in the distance.

Image of a totem pole located at the Ehahsitaht Village site, just beyond the edge of a rocky beach. The pole is surrounded by trees.

Image of old totem poles or carved posts in the village of Gwayasdums on Gilford Island, BC.

Image of a totem pole by Gilford Island carver Sam Johnson. The pole depicts the Eagle and "Tzonqua." A picture of Johnson with this pole is printed on page 54 of Carter's book From History's Locker.

Image of totem poles and longhouse in Kingcome Inlet, with Kingcome Mountain in the background. This image is printed on page 42 of Carter's book From History's Locker.

Image of an old totem pole at the Mamalilikulla village, Village Island. The pole is being held up by a rope.

Image of a portion of one totem pole at Kispiox Village in BC. Another totem pole is visible in the background. These poles appear to be a few from a larger group that is pictured on pages 114-115 of Carter's book Abundant Rivers.

Image of an old totem poles in the Skeena area of BC.

Image of a totem pole in Kitsegukla (Gitsegukla?), BC. This same pole is pictured on page 125 of Carter's book Abundant Rivers, with the caption: "This very old pole carved with a human figure and birds is a striking land mark in the village of Kitsegukla."

Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.

This pole is shown on page 127 of Carter's book Abundant Rivers, with the inaccurate caption: "This well-carved pole belongs to Mr. Russell, one of the councillors at Kitsegukla. The predominant long-billed bird is a mythical figure called 'Weneel.'"

Image from a pole raising in Haida Gwaii. The pole was carved by Robert Davidson. In this image, the pole is in the process of being raised.

Image of a piece of on old totem pole, sitting on a block. It appears to be located in a museum, possibly the Museum of Anthropology at the University of British Columbia.

Image of totem pole carved by Charles James.

The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.

Image of a group of totem poles in Stanley Park, Vancouver, BC.

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

1. Quileute
2. Chinook Jargon
3. Kwak’wala (U’Mista)
4. Gitxsan
5. Nuu-chah-nulth
6. Salishan
7. Shuswap
8. Haisla
9. Tait
10. Northwest Coast artists
11. Northwest Coast groups
12. UBC totems/events
13. Publications

Item is an image of a group of people by a building and a totem pole, other buildings and poles visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago