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Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.

This pole is shown on page 127 of Carter's book Abundant Rivers, with the inaccurate caption: "This well-carved pole belongs to Mr. Russell, one of the councillors at Kitsegukla. The predominant long-billed bird is a mythical figure called 'Weneel.'"

Image of the totem Pole of the Mountain Goat in Gitsegukla, BC.

Image of totem pole carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Image of a feast dish. This dish is now part of MOA's object collection.

Image of Haida artist Robert Davidson Jr., carving a pole.

Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".

Profile view of a totem pole of Dzunuk'wa. This totem pole is located on Cormorant Island, in Alert Bay, and was carved by Willie and Joe Seaweed as a memorial for Billie Mood. Photograph may have been taken by Wilson Duff.

Image of a totem pole with Dzunuk'wa as the base figure and a thunderbird as the top figure.

Item is an image of a group of people by a building and a totem pole, other buildings and poles visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

Item is an image of fifteen people around a totem pole. There are two buildings in the background. People in the photograph are identified in annotations.

Image of a shorter totem pole located on a sidewalk on what appears to be a residential street.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is looking down onto a man (Davidson?) painting the pole, with a crowd gathered nearby.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole laying on the ground, with ropes attached to raise it. A crowd is gathered, some of whom are holding onto the rope.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the crowd gathered for the pole raising. The most prominent person in the photograph is a woman wearing what appears to be a ceremonial dress, holding up a long stick.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a small group of dancers.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial view of the pole raising area and crowd. The pole is still on the ground, with a number of people next to the pull. They appear to be pushing the pole toward the hole in the ground in which it will stand.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole still on its side, propped up on logs on the ground. A number of individuals are standing around the base of the pole, possibly positioning it to go into the hole in the ground where the pole will stand. A church is in the background.