- 100-2-WW
- Sous-série organique
- 2008
Fait partie de Carol Mayer fonds
4 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fait partie de Carol Mayer fonds
We Sing to the Universe: Poems and Drawings by Ron Hamilton
Fait partie de David Cunningham fonds
Sans titre
We Sing to the Universe: Poems and Drawings to Ron Hamilton
Fait partie de Darrin Morrison fonds
This exhibit was the first public display of drawings and poems by Nuu-chah-nuulth artist Ron Hamilton.
Fait partie de Elizabeth Johnson fonds
Subseries consists of notes pertaining to the exhibit “Wearing Politics, Fashioning Commemoration: Factory Printed Cloths of Ghana”. This was a student exhibit by Michelle Willard. The exhibit was coordinated by Elizabeth Johnson. This exhibit was installed at MOA in February 2004.
Sans titre
Wearing Politics, Fashioning Commemoration: Factory Printed Cloths in Ghana
Fait partie de Darrin Morrison fonds
This exhibit was created by UBC graduate student Michelle Willard, and housed a collection of printed cloths that Ghanaians’ considered to be highly significant and shows how they are worn in Ghana to proclaim political loyalties and commemorate important events.
Weaving Worlds Together exhibit and Musqueam Weavers source book development
Fait partie de Public Programming and Education fonds
Fait partie de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual records for the West Coast art exhibit organized by Ron Hamilton and Marjorie Halpin. Records include Hamilton’s biography, exhibit correspondence, project proposal and exhibit planning. Also included is a transcript from a taped interview of Ron Hamilton by Karen Duffek in 1989.
West Coast Photographs project
Fait partie de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual records and graphic images related to a project by Halpin and Ron Hamilton that attempted to document the lineage of a native community through photographs. Included are correspondence requesting the use of photographs, grant application forms, and photocopies of potential photographs for the project.
Fait partie de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual records related to attempts to receive funding to replicate West Coast artifacts for the Museum of Anthropology collection.
Fait partie de Vickie Jensen and Jay Powell fonds
Consists of photographs, in the form of negatives, prints and slides, taken during the period that Jensen and Powell lived and worked in the Western Gitxsan villages. The images include photographs that were used to illustrate the language books being produced, and other photographs that documented the culture and way of living in these communities.
Fait partie de Carol Mayer fonds
What is Canadian cultural property?
Fait partie de Elizabeth Johnson fonds
Subseries consists of a photograph of Elizabeth Johnson with a group of individuals standing in front of the exhibit What is Canadian cultural property?
Sans titre
Fait partie de William McLennan (MOA Curator) fonds
Subseries consists of images from the exhibition When World Collide.
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.
Where are the children? Healing the legacy
Fait partie de William McLennan (MOA Curator) fonds
Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.
Fait partie de Carol Mayer fonds
Willy White: “My Ancestors Are Still Dancing”
Fait partie de Karen Duffek fonds
The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.
Wisdom of the Elders (by Ruth Kirk)
Fait partie de Hilary Stewart fonds
Subseries consists of material realted to illustrations done by Stewart for the book Wisdom of the elders: Native traditions on the Northwest Coast by Ruth Kirk.
Without Masks: Contemporary Afro-Cuban Art
Fait partie de David Cunningham fonds
Sans titre
Without Masks: Contemporary Afro-Cuban Art
Fait partie de Skooker Broome fonds
Subseries consists of records related to the graphic design for the Without Masks exhibit, on display at the Museum of Anthropology May 2 - November 2, 2014. The exhibit was curated by Cuban poet, art critic and curator Orlando Hernández.