Image of the entrance to a cave with two people standing past the entrance. Handwritten annotation on back "This is when I went to see the Cave, the Nawalakwaeiy in 1994." Item was originally numbered by creator with number 107.
Brushes and bowls made by Mungo Martin. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
Image of an old carved house post or totem pole at the Mamalilikulla village, Village Island. The post is still standing, but leaning sharply to the side.
Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."
Image depicts a small-scale totem pole in front of a door. The pole depicts several figures, some human and some seated. See also items a034476 - a034482 for other depictions of this pole.
Image depicts an old mask of a whale. Several parts are articulated and held together with string. Mask may have been found in Quatsino, on the northern portion of Vancouver Island.
Image depicts a whale mask, painted in black, white and red. Photograph has been taken inside next to a door or window. Mask may have been found in Quatsino, on the northern portion of Vancouver Island.
Image depicts a painting filled with ovoid shapes that seem to comprise at least one creature. Painting is done in black on white with highlights of red.
Collection illustrates the gathering of information and writing of the book “Paddling to Where I Stand : Agnes Alfred, Qwiqwasutinuxw Noblewoman.” Includes interviews to Agnes Alfred conducted by Martine J. Reid and Daisy Sewid-Smith between 1979 and 1985. Interviews are documented as audio and video recordings and their written transcriptions, and other materials gathered by Martine J. Reid and Daisy Sewid-Smith for the edition and publication of the book. Collection also contains the manuscripts and draft for the book; correspondence between Martine J. Reid, Daisy Sewid-Smith and other people; eulogies and funeral pamphlets; Agnes Alfred’s family information; historical notes; and miscellanea. Collection includes photographic materials with photographs included in the book and additional photographs gathered by Martine J. Reid and Daisy Sewid-Smith during their research, and portraits of Agnes Alfred’s parents.
Image depicts a nearly completed totem pole outside. A can of black paint is visible on the path. This pole may be the St. Catharines Ontario Centennial pole carved in 1967.
