Captain Carpenter – Ubersee Museum
- 1-4-B-20 (21.9)
- Dossiê
- [199-?]
File contains images of a canoe and paddles created by Captain Carpenter housed at the Ubersee Museum.
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Captain Carpenter – Ubersee Museum
File contains images of a canoe and paddles created by Captain Carpenter housed at the Ubersee Museum.
Parte deVirginia Kehoe fonds
Image depicts a partially completed canoe, filled with water outside. A carver, possibly Godfrey Hunt, is also shown.
Parte deVirginia Kehoe fonds
Image depicts a partially completed canoe, filled with water outside.
Parte deVirginia Kehoe fonds
Image depicts carving a canoe outdoors. The carver depicted may be Godfrey Hunt, who assisted Douglas Cranmer with the Nootka canoe.
Parte deVirginia Kehoe fonds
Image depicts carving a canoe outdoors. Both Douglas Cranmer and Godfrey Hunt are pictured working on the Nootka canoe.
Parte deVirginia Kehoe fonds
Image depicts carving a canoe outdoors. Both Douglas Cranmer and Godfrey Hunt are pictured working on the Nootka canoe.
Parte deRobert Reford fonds
Item is an image of a coast with one person by the water and five people in a canoe. There is a village on the background. According to annotations, photograph was taken in Hazelton by Mr. Vowel (?)
Parte deRoland Reed collection
Image of a group four men and a woman near tipis and banked canoes on a shoreline.
Parte deVirginia Kehoe fonds
Image depicts Douglas Cranmer with a partially finish canoe filled with water. He seems to be measuring, and possibly preparing to stretch the canoe's interior to make it wider.
Parte deVirginia Kehoe fonds
Image depicts a partially completed canoe, filled with water outside. Two carvers, probably Douglas Cranmer and Godfrey Hunt, are also shown.
Parte deVirginia Kehoe fonds
Image depicts a carver, possibly Douglas Cranmer, working inside on what may be a canoe. Image is dark and it is difficult to see what he is doing.
Parte deAnthony Carter fonds
Image of Chief Dan George using a heavy logging jack to roll the rough shaped canoe over. This image is similar to the one printed on page 18 of the book Somewhere Between.
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Parte deAnthony Carter fonds
Image of a Chief Dan George carving a canoe. He is standing on one end of the canoe looking down it lengthwise. The basic shape of the canoe has been made, but no finishing details are visible.
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Parte deAnthony Carter fonds
Image of a Chief Dan George carving a canoe. He appears to be working on hollowing out the inside if the canoe. The basic shape of the canoe has been made, but no finishing details are visible.
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Parte deAnthony Carter fonds
Image of a canoe in the process of being carved. It is sitting in an open grassy area by a body of water. The basic shape of the canoe has been made, but no finishing details are visible.
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Parte deAnthony Carter fonds
Close-up image of a Chief Dan George looking down onto a canoe that is in the process of being carved.
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Parte deAnthony Carter fonds
Image of the remnants of an old wooden canoe near a shoreline, pictured on page 121 of Carter's book "From History's Locker."
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This file contains images of Coast Salish and Kwakwaka'wakw artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.
Parte deAnthony Carter fonds
Image of children, three adults, and two dogs with canoes on a beach. Just beyond the beach, a number of cars are parked, some holding canoes, with more people. A police officer is standing on the road. A similar image of this same scene is printed on page 65 of Carter's book "Abundant Rivers," with the caption: "The canoes of these two ancient races rest on the sandy shore of an historic river, the mighty Stalo, as children of the new world share a common happiness, unaware that history lies just beneath the sand at their feet."
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File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.