- 51-01-35-a039844
- Item
- 1957
Part of Harry B. Hawthorn fonds
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Part of Harry B. Hawthorn fonds
Part of Harry B. Hawthorn fonds
Image of fields, hills and dirt road in the Nicola Valley region of BC.
New pole in Old Massett, Robt. Davidson, Massett, Aug. 69
Part of Harry B. Hawthorn fonds
Image of a totem pole in Massett, Haida Gwaii. The pole was carved by Robert Davidson, and is seen just after it was raised. A crowd is still gathered for the pole raising ceremony.
Part of Harry B. Hawthorn fonds
Image of Douglas Lake, in the Nicola Valley region of British Columbia.
May 25, 1948, Somass River - Sports Day
Part of Harry B. Hawthorn fonds
Image of a crowd gathered on the shore and in boats on the Somass River, Vancouver Island, for sports day.
Part of Harry B. Hawthorn fonds
Majorie Halpin - Alert Bay Memorial Mungo Martin
Part of Harry B. Hawthorn fonds
File consists of images of Alert Bay, BC and the raising of a memorial pole for Mungo Martin in 1970. Based on annotations on the slides, they were likely taken by Marjorie Halpin, who was a curator at the Museum of Anthropology.
Log rolling, Sports day, Somass [River] 1948
Part of Harry B. Hawthorn fonds
Image of two men logrolling in the Somass River (Vancouver Island). A number of boats with people on them are also in the river.
Last pole at Aiyansh on Nass [River]
Part of Harry B. Hawthorn fonds
Pole is largely uncarved, except for a bird perched on top. Mountains are visible in the background.
Part of Harry B. Hawthorn fonds
House posts and beam, Quatsino, BC
Part of Harry B. Hawthorn fonds
Image of the houseposts and beam of what once was a longhouse in Quatsino, BC, on the north end of Vancouver Island. These posts appear to be the same as posts now houses at the Museum of Anthropology (museum item number A50009 a-c). The poles are described on the museum's catalogue: "Two upright posts and crossbeam that were part of a large interior house frame (also see records d-f and g-h). The uprights depict sea lions carved in high relief and painted (parts a-b). Their heads are equal size to their bodies. Both part a and b have an eagle in profile within the sea lions front flippers. Part a has a top portion of a face painted on the back of its head that is part of a sisiutl that runs down the seal lions back and into its hind flipper with a serpent's head in each. The cross-beam (part c) is painted and carved as a supernatural double-headed sea lion. All parts are painted black and white with Northwest Coast stylized forms... The Klix'ken (sea lion) House was commissioned by Tza'kyius around 1906, and was the last old style house erected in Xwatis. The beams and figures stood as part of a house frame, and acted as structural supports. Figures represented on house frames were supernatural beings which the family living in the house had the right, through their history and origins, to represent."
Part of Harry B. Hawthorn fonds
Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."
Part of Harry B. Hawthorn fonds
Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."
House frontal totem pole, Anthony Island
Part of Harry B. Hawthorn fonds
Image of an old house post on Anthony Island, Haida Gwaii. This appears to the same as a post now housed at the Museum of Anthropology. This museum item is decribed as follows: "The lower section of a totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: bear with protruding tongue and raven on body, kneeling on head of unknown creature... Figures probably from historical narratives owned by lineages of house owner and wife. Grizzly bear was a crest of the lineages of the 'Striped Town People' and 'Sand Town People' of the Raven Moiety, to one of which the husband may have belonged. The supernatural Snag was also a crest of the 'Striped Town People'. Human arms of the raven or cormorant may indicate ability to transform from animal to human."
House beams, front or rear, Anthony Island
Part of Harry B. Hawthorn fonds
Hope Island, Humchitt posts rear
Part of Harry B. Hawthorn fonds
Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."
Part of Harry B. Hawthorn fonds
File consists of photographs taken during a 1957 trip to Anthony Island, part of Haida Gwaii, to survey and/or acquire and preserve totem poles from the island. This expedition was undertaken as part of the B.C. Totem Pole Preservation Committee. This committee was set up in 1953 by members of MOA, UBC's Department of Anthropology, and the BC Provincial Museum, with support from the lumber and fishing industries. Their aim was to survey existing poles of the province, and to acquire and preserve all those not in use. H.R. MacMillan and W.C. Koerner supported the purchase and transportation of the poles which were brought to Vancouver and Victoria from coastal villages.
Members of the 1957 expedition included Wilson Duff, Michael Kew, Harry Hawthorn, John Smyly, and Bill Reid.
Harry Bertram Hawthorn
The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with Indigenous communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.
Harry Bertram Hawthorn
Handwritten note about Anthony Island slides
Part of Harry B. Hawthorn fonds
Haida section Totem Park slides
Part of Harry B. Hawthorn fonds
File consists of slides showing the building of the Haida House and Haida totem poles at the Museum of Anthropology.
Harry Bertram Hawthorn